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Tradycja skoków z mostu w Mostarze. Wielowymiarowa rola skoczków a turystyka kulturowa

100%
Pac-Pomarnacka L.
Rozprawy Naukowe Akademii Wychowania Fizycznego we Wrocławiu
|
2017
|
vol. 58
3-16
PL
Cel badań. Celem artykułu jest przedstawienie tradycji skoków ze Starego Mostu w Mos­tarze i jej wielowymiarowego charakteru na tle innych atrakcji tego coraz bardziej turystycznie popularnego miasta. W tekście przybliżona została historia miasta Mostar, Starego Mostu, wpisanego na Listę Światowego Dziedzictwa UNESCO oraz tradycja skoków z niego do rzeki Neretwy. Zamysłem autorki było zwrócenie uwagi na rolę mostarskich skoczków w kreowaniu turystycznego wizerunku Mostaru, jak również Bośni i Hercegowiny. Materiał i metody. Szczególnej analizie zostało poddane zagadnienie roli społecznej skoczków, bardzo często pomijanej, stanowiącej zwykle drugorzędny cel badań naukowych dotyczących stolicy Hercegowiny. Autorka zwraca także uwagę na stosunek samych skoczków do tradycji, często przekazywanej w rodzinach z pokolenia na pokolenie. Metody. Badania etnogra­ficzne (terenowe), wywiad. Wyniki. Bazując na własnych doświadczeniach z podróży, zarówno w charakterze turysty jak i pilota wycieczek zagranicznych, badaczka wykazała, że około 450-letnia tradycja mostarskich skoków niesie za sobą wiele wartości, zarówno z zakresu turystyki kulturowej (niematerialnego dziedzictwa kulturowego) jak i zagadnień związanych z socjologią (w tym przypadku roli społecznej). Wnioski. Badania etnograficzne dowiodły też, iż turysta kulturowy ma do czynienia ze zjawiskiem autentycznym, tak ostatnio przez niego właśnie poszukiwanym.
EN
Background. The purpose of the article is describing the tradition of jumping off the Old Bridge in Mostar and its multidimensional character in light of other tourist attractions of this popular city. The article covers the history of the city of Mostar that was listed by UNESCO and the tradition of jumping off the bridge into the river Neretva. Materials and methods. The aim of the author was drawing attention to the role of jumpers of Mostar in popularising this city as a tourist attraction of Bosnia and Herzegovina. Particular attention was paid to the social aspect of jumping, which is often overlooked and often only mentioned in scientific explorations of the capital of Herzegovina. The author also points to the relationships of the jumpers with tradition, often passed from generation to generation in their families. The methods were: ethnographic research like direct observations, interviews with jumpers, city guides and the workers of institutions like Muzej Hercegovine (ul. Bajatova 4 Mostar), Biščevića Kuća (ul. Biščevića bb, Mostar), Muzej Stari Most (Stari grad.b.b., Mostar), Klub Skakača u Vodu „Mostari” (Stari most/Onešćukova, Mostar). Results and conclusions. The analysis concluded that the 450-year long tradition of jumping off the Old Bridge carries a lot of cultural values within cultural tourism and also from a sociological point of view. Ethnographic studies also shown that tourists are exposed to authentic cultural experiences which they have been looking for specifically.
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Bośnia i Hercegowina - dobra kultury w czasie wojny i pokoju

71%
Długozima A.
Ochrona Zabytków
|
2009
|
issue 3
59-66
EN
The state of Bosnia and I lerzegovina came into being as a result of the disintegration of Yugoslavia; at the same time, it remained one of the conflict-prone spots on the map of twentieth-century Europe. Up to the early 1990s Yugoslavia was a federation of states (Serbia, Macedonia, Croatia, Montenegro, Slovenia, Bosnia and Herzegovina), and thus comprised a cultural, religious and national melting pot. The awakening of national consciousness in Bosnia and Herzegovina led to a referendum, due to which in 1992 the republic proclaimed its independence and turned into an arena of armed conflicts. In 1992-1995 the territory of Bosnia and Herzegovina witnessed a war, whose victims included local cultural property. Despite a system of the protection of cultural property, constructed since the end of the Second World War (i.a. international conventions signed in 1954, 1970 and 1973, the establishment of subjects associated with the protection, registration and assessment of the state of the cultural heritage as well as the codification of national law), the war disclosed all its failings. The article analyses the damage suffered by Bosnian immobile monuments of culture (especially sacral architecture) and mobile monuments (archives, institutes, libraries storing old books, manuscripts, documents, etc.), and seeks the reasons for the losses suffered by cultural property and the unsatisfactory functioning of the mechanisms of the protection of cultural property during armed conflicts. Furthermore, the author outlined activity intent on the protection of cultural property in Bosnia and Herzegovina.
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