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Studia Hercynia
|
2018
|
vol. 22
|
issue 1
31-55
EN
This paper focuses on pottery acquisition strategies at the Mycenaean palace at Pylos, analysing mostly the final period of its existence. By the 13th century BC the palace at Pylos, after 300 years of development, was a complex, bureaucratic, administrative, and industrialized institution. The strategy of the pottery acquisi‑ tion by the palace is demonstrated to be a network of co‑dependence between the palace, the ‘royal’ potter and other contracted manufacturers. They were specialized craftsmen who cooperated with the palace under different conditions. The pottery industry was affected by a hierarchy of producers directed by the palace, as the ‘royal’ potter supported the king in fulfilling his duties and enjoyed special privileges. Underlying the model is the use of the theory of entanglement. Outlining the wide web of dependences between things and humans involved in the Pylian pottery industry reflects the internal complexity and gradual evolution of the system.
2
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EN
Aphrodite, the Greek goddess of love and beauty, according to ancient authors, was supposed to have come from Cyprus, where her oldest known temple was located in Palaepaphos. However, the alleged process of transforming the local Cypriot deity into the Hellenic Aphrodite is difficult to trace. Without questioning her Cypriot roots, this article focuses on the issue of the origins of her presence in the Greek pantheon of deities, proving that Aphrodite was from the beginning a strictly Greek (Greek-Cypriot) and not a Levantine deity, whose worship was only secondarily influenced by the cult of Astarte, before she eventually became part of the pantheon of deities revered by the Greeks.
PL
Afrodyta, grecka bogini miłości i piękna, już wg. autorów starożytnych wywodzić się miała z Cypru, gdzie znajdowała się jej najstarsza znana świątynia w Palaepaphos. Domniemany proces przekształcenia lokalnego bóstwa cypryjskiego w helleńską Afrodytę jest jednak trudny do prześledzenia. Nie podważając jej cypryjskich korzeni, niniejszy artykuł koncentruje się na kwestii genezy jej obecności w greckim panteonie bóstw, dowodząc, iż Afrodyta była od początku bóstwem sensu stricto greckim (greko-cypryjskim), a nie lewantyńskim, którego kult  jedynie wtórnie uległ wpływom kultu Astarte, nim ostatecznie bogini ta stała się częścią panteonu bóstw czczonych przez Greków.
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