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Milenci z kiosku V. Nezvala v roce 1932, aneb Národní divadlo na vlnách avantgardy

100%
Ambros V.
Česká literatura (Czech Literature)
|
2006
|
vol. 54
|
issue 2-3
228-239
EN
An article devoted to the National Theatre, Prague, as a place of avant-garde drama, focusing on Nezval's 'Milenci z kiosku' (Lovers from the Kiosk), which premiered in 1932.
2

VYSPĚLÉMU DIVADLU VYSPĚLOU KRITIKU (ČESKÁ DIVADELNÍ KRITIKA V OČEKÁVÁNÍ NÁRODNÍHO DIVADLA)

86%
Ježková P.
Slovenská literatúra (Slovak Literature)
|
2011
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vol. 58
|
issue 5
449 – 461
EN
The article tracks the form and content of Czech theatre criticism from its beginning in the 1930s and 1940s after the National Theatre in Prague was established. It mainly taps the contemporary thinking of individual criticism theoreticians and critics as well as later partial studies aimed at individual personalities and subjects. In the genre development overview the writer pays attention to the criticism standard differences with regard to the media the reviews were published in (dailies vs. journals). She tracks establishing specialized theatre magazines, their motivations, ambitions and lives as well as the conditions and other circumstances which influenced the form and the function of criticism. First efforts to grant Czech theatre decent criticism and its own periodical can be seen in patriotic patrons of the national theatre development (J. K. Tyl). Reaching certain milestones and stages of the theatre development (opening of the Temporary Theatre in 1862, laying the cornerstone of the National Theatre in 1868) naturally resulted in intensifying the efforts. In spite of that Czech theatre criticism and its media shortly before the opening of the National Theatre still tackled the lack of readers, underdeveloped cultural environment and paralysing touchiness of the theatre management.
3
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MILAN SVOBODA – MUŽ V POZADÍ

86%
Pokorný V.
Slovenské divadlo (Slovak Theatre)
|
2018
|
vol. 66
|
issue 2
117 – 140
EN
The study represents the life and artistic career of today's almost forgotten theatre director Milan Svoboda (1883 - 1948). It is based on the extensive Svoboda estate, located in the Theatre Department of the National Museum. It follows the artist from his amateur beginnings in Roudnice nad Labem, through his career as a pedagogue at the Prague Conservatory, theatre director at the Slovak National Theatre, guest director at the National Theatre in Prague, to his post-war effort to create high-quality stage art in the border villages abandoned by the Germans. Thanks to the substantial and rich material found in his estate, the study demonstrates the conflict of creative ideals and the desire to seek an aesthetic beauty in a world within a regimented state, grand political scheming, critics and "progressive" theatrical colleagues.
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