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NEPRIRODZENÁ PRIRODZENOSŤ

100%
Sošková J.
ESPES
|
2012
|
vol. 1
|
issue 1
2 – 8
EN
The background of the author’s thoughts is a radical critique of art and science by J. J. Rousseau and genuine aesthetic and moral disposition of a human being outlined by I. Kant in his pre-critic works. According to the author, the art of twentieth century reveals (comments, extremely magnifies, contemplates, designates, creates metaphors, asks the questions) problems of a “nature of a contemporary man”. The author illustrates possible consequences of Rousseau’s critique of an art and science in the present and the shifts of natural aesthetic dispositions, as named by Kant in the contemporary art.
2

GYMNOSOFIA – MOUDROST NAHOTY

88%
Jirásek I., Hlavinka P.
Filozofia (Philosophy)
|
2010
|
vol. 65
|
issue 7
683-690
EN
The paper asks the question, whether nakedness embodies a potential wisdom. It deals with two different approaches to the phenomenon of nakedness: the first one rejecting, the second one appreciating the corporeality. The authors show different meanings the various cultures and civilizations attributed to nakedness, e.g. nakedness as a religious symbol of social subordination or belittling (Mesopotamia, Israel) or of a specific national dominance (Greece). Attention is paid also to the meanings of nakedness in Jainism, where the nakedness is a symbol of non-possessiveness; in Christianity, where the approach to nakedness is ambiguous; in tantrism with its vision of a person with numerous bodies, where the role of nakedness and sexuality is seen in cosmic context. Thus the meaning of nakedness remains multiple, depending on its context and visualization. The authors reject the pornography culture of contemporary society in favour of gymnosophy as the hierophany of the naturalness of nakedness.
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