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EN
The authoress analyses 'Bent', a Sean Mathias film from 1997. The action of the movie takes place in the 1930s, in Nazi controlled Germany. The main character of the film, Max (Clive Owen) ends up in concentration camp in Dachau, where he refuses to admit to his homosexuality, but presents himself as a Jew. As a consequence on his prison garment there is a yellow Star of David instead of a pink triangle. During the transport to Dachau, Max meets Horst (Lothaire Blumenau), who wears his pink triangle with pride. In the last scene of the film Max also puts on prison clothes with the pink triangle badge, and it becomes clear that the film is about his search for identity. The authoress highlights the theatrical artificiality with which the film was made. She identifies it as a pursuit of the effect of otherness that is known from Bertold Brecht's dramas, but in her analysis and search of theatrical analogies, she goes one step further, and in the plain and reserved form of the film, its drama like quality, its rhythm and symbolism she finds echoes of Samuel Becket's plays and style, thus allowing her to classify 'Bent' as a film in the style of Becket.
EN
The assumption of power by the Nazis in Germany initiated a series of changes which radically changed the situation of the Christian Churches. A role of no small importance in this process was played by the structures and contents that were the result of the Protestant development of the German Christians movement. This theology, pointed towards Nazism, contributed significantly to the reception of volkisch thought, which was gradually and effectively to replace the basic doctrinal elements of the Evangelical Churches with a new message whose meaning was adjusted to the state ruled by Hitler and his supporters. This text constitutes an attempt to present the realisation of the theological contents of the Deutsche Christen movement with reference to sacred architecture and the Bible.
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2009
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vol. 57
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issue 3
565-591
EN
(Title in Slovak - 'Informovanost cesko-slovenskej diplomacie o kontaktoch slovenskych autonomistickych politikov s nacistami v obdobi pomnichovskej republiky'). The study is concerned with the problem of Czechoslovak diplomacy information about Slovak - German relations in the period of so-called Second Republic. The authoress analyses its sources of information, which included the official statements of the German Foreign Office (Auswärtiges Amt), reports from the Czechoslovak Embassy in Berlin, reports of the Czechoslovak intelligence service to the Foreign Ministry in Prague and the domestic and foreign press. She comes to the conclusion that Czechoslovak diplomacy underestimated the role of Slovak separatism in Nazi policy and had only very superficial knowledge of the contacts of Slovak political figures with the Nazis.
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