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Poesia brasileira (ex-centrica): marcas de um neorromantismo contemporâneo

100%
Coelho Tinoco R.
Studia Iberystyczne
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2010
|
vol. 9
155-167
EN
The Brasilian poetic production answered in a rarefied way, starting from the decade of 70, to the challenges and opportunities that the culture and the new sociopolitical order presented coming e.g., for the Cold War, racial fights, concepts of Third World, society of information, dictatorships, globalization. In that national and world context, that contemporary production intends to redraft the contemporary poetic language as a former center of ethical concerns delimited by aesthetic projects. Under such an ethical-aesthetic composition, neo-romantically, sensitive divergences, from the national literary canon, come forward as to understand the borders among poetry and no-poetry, functional art, utilitarian and engaged art. Also stands out the good-humored and ironic, although simple, accusation of the “new times” and of what the poets proposed as search of a more integrated, creative and provocative communication with the people and with art.
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MEDZI ROMANTIZMOM A MODERNOU

75%
Tesařová J.
World Literature Studies
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2012
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vol. 4 (21)
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issue 1
54 – 67
EN
The paper describes the theoretical and literary-historical aspects of European modernism. It focuses on the issue of neo-romanticism and modernism in Latvian literature, both artistic streams developed in it side by side from the turn of the 19th and 20th century to approximately the year 1914. The author places neo-romanticism and modernism into the wider literary context, attempts to define common features and differences between them and draws attention to updating of antique Greek literature and philosophy. The paper explores the character of Latvian neo-romanticism and modernism, describes Latvian modernism via the individual streams – decadence, impressionism, symbolism and secession. It deals with the question of contribution of neo-romanticism and modernism for the literary context of the times.
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