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Muzyka
|
2007
|
vol. 52
|
issue 3(206)
3-30
EN
Both by its text as by its musical setting, the motet for the Virgin, 'Illibata dei virgo nutrix', of Josquin des Prez mirrors particular fundamentals of Christian Faith, ideated by means of elements from the language of later medieval symbolism; in particular number symbolism. Totals of textlines and syllables, of letter values and number of notes stay to each other in a close connection, by which the structure of the composition as a whole symbolically represents the composer's ardent wish, that hailing the Virgin in his own musical language will be acceptable to her.
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