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Studia Hercynia
|
2019
|
vol. 23
|
issue 1
129-137
EN
This paper presents a selection of yet unpublished ‘Gnathia Pottery’ from the collection of the National Museum in Prague. The assemblage is confronted with other similar vases finds, and, if possible, attributed to groups or painters of Gnathia vases.
EN
The Classical Antiquity Collection in the National Museum was recently enriched by the donation of an assemblage of pottery sherds. Following a careful and systematic procedure, it became possible to recon struct almost an entire vessel. Subsequent analysis revealed that we were dealing with an early South Italian red figure bell krater. Its style of painting dates the vase to the early 4th century BC, making it close to the workshop of the Sisyphus Painter.
EN
This text is focused on the issue of contemporary museum work with respect to the formation of part of the collection, its takeover and preparation, specifically the Collection of Brochures of the Collection of the Museum of the Workers’ Movement included in the National Museum. It captures the circumstances of the creation of the Collection, the methodology of its preparation and, finally, the research opportunities that the Collection itself offers.
4
75%
EN
This text discusses the history of the Ethnographic Department during the 1938–1948 period, i.e., chiefly during the Second World War and the Third Czechoslovak Republic. There was the significant shift in the ideological concept of the National Museum, as the institution progressed from the ideology of Czechoslovakism to defence of the Czech nation, and it was also necessary to deal with the pervading Nazi ideology and its specific manifestations (e.g., Germanization and Aryanization). On a practical level, the department primarily had to cope with a lack of space, as well as the gradual loss of and the fluctuations in staff. The fate of Drahomíra Stránská, who was a key figure in the museum’s ethnography, is also discussed. On a conceptual level, the department did not advance much and remained at the level of descriptive or comparative ethnography with an emphasis on other Slavic nations and the domestic environment.
CS
Text se zabývá dějinami Národopisného oddělení v letech 1938 – 1948, tedy především v letech II. světové války a tzv. třetí republiky. Výrazně se posunula ideologická rovina existence NM, od idejí čechoslovakismu přešla instituce k obhajobě českého národa a bylo také třeba se vyrovnat s pronikající ideologií nacistickou a jejími konkrétními projevy (germanizace, arizace). V praktické rovině se oddělení potýkalo především s nedostatkem místa a postupně také s tenčícím se personálním zabezpečením či jeho nestabilitou. Pozornost je směřována také na osudy klíčové osobnosti muzejní etnografie, Drahomíry Stránské. V rovině konceptuální se oddělení příliš neposouvalo a zůstávalo na pozicích popisného či srovnávacího národopisu s důrazem na ostatní slovanské národy, případně na domácí prostředí.
5
63%
EN
Zbyněk Žába largely contributed to the popularization of history and culture of ancient Egypt in Czechoslovakia through his frequent cooperation with the National Museum. He helped to organize a number of exhibitions. He determined and published several objects from the museum’s collections in catalogues, as well as scholarly and popular journals. The National Museum also received a share of finds from the excavations of the Czechoslovak Institute of Egyptology in Abusir and Nubia directed by Zbyněk Žába. After Žába’s death, his private collection of Egyptian antiquities was sold to the museum.
EN
Severing Original Roots or Kicking Off the International Prestige of a New Field?: Normalisation and Its Influence on the Formation of Czechoslovak Museology
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