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El caso Neruda: el origen de un detective creado por un poeta. Aproximaciones a la literatura de Roberto Ampuero

100%
Ramírez D.
e-Scripta Romanica
|
2016
|
vol. 3
33-49
EN
The novel The Neruda Case is the story of the origins of Cayetano Brulé, the detective who appears in all black novels created by Roberto Ampuero, the Chilean writer whose work is essential in this sub-genre within contemporary Latin American literature. This article focuses on the analysis of the metaliterary relationship between the character of Brulé, his fictional link with the poet Pablo Neruda and the context that Ampuero creates around the biography of the poet. In this novel Neruda is a literary character not only for his poetic creation, but for having led a life in the multiplicity of their stories, facilitating literary speculation.
ES
La novela El caso Neruda tiene como centro la historia de los orígenes de Cayetano Brulé, el detective que protagoniza las novelas del género negro creadas por Roberto Ampuero, escritor chileno cuya obra resulta fundamental en este subgénero dentro de la literatura latinoamericana contemporánea. El presente artículo se enfoca al análisis de la relación metaliteraria entre el personaje de Brulé, su vínculo ficcional con el poeta Pablo Neruda y el juego que crea Ampuero entorno a la biografía del poeta, convirtiéndolo en un personaje literario no sólo por su creación poética, sino por haber llevado una vida que en la multiplicidad de sus historias, facilita la especulación literaria.
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Na okraj Nerudovy prózy

80%
Pelán J.
Česká literatura (Czech Literature)
|
2023
|
vol. 71
|
issue 3
344-354
EN
This article reflects on the innovations that can be noted in Neruda’s prose and which anticipate subsequent developmental phases (e.g. naturalism and symbolism). Neruda’s short stories are a combination of factual realism and authorial stylization, characteristic of what is known as the physiological sketch. The proto-naturalistic elements can be considered to be based on Neruda’s preoccupation with somewhat abnormal characters, handicapped physically or socially, a new image of eroticism, emphasizing the sexual motivations of human behaviour, an interest in the “insulted and humiliated” and Flaubert’s concept of the literary image as a sketch of “environment and passion”. As a rule, the autobiographical narrating “I” occupies the position of observer and witness for Neruda, and this “autobiographicism” effectively functions as a guarantee of the authenticity - the truthfulness, the “realism” - of what is narrated. At the same time, this “I” fully controls the narrative situation, and Neruda’s narrative mode is thus one of the most original variants of European Shandyism.
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