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Urbs admiranda, czyli śląski podziw dla miasta

100%
Gaj B.
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
|
2014
|
vol. 2
19-29
EN
The theme of the city has always played an important role in Silesia, one of the most urbanized areas in Central Europe. It occupied a significant position, if not the central one, in the Silesian New Latin literature. The city was not only a background, a board for the literary game, but also the main theme, the addressee of praise songs. Anne, the wife of the famous humanist, Laurentius Corvinus, is inextricably bound with one of the first poems that extoll the city. Some of the most eulogized cities are Wroclaw (Vratislavia, Bresla) and Złotoryja (Goldberga). Silesian cities were glorified both in poetry and prose until the end of the 18th century which is the end of the Latin literary culture in Silesia. Vernacular literature that followed depicted the city in a pejorative way, as a paved desert full of horror and fear, referring to the commonplace disapproving perception of the city in the biblical tradition.
2

Specimen pudoris, czyli o rozmowie Jakuba Pizona z Lukrecją w epigramatach Andrzeja Krzyckiego

100%
Wojtowicz W.
Pamiętnik Literacki
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2020
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vol. 111
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issue 2
39-51
PL
W artykule analizuję nowołacińskie epigramaty Andrzeja Krzyckiego (Andreas Cricius, 1482–1537) związane z Lukrecją oraz z osobą Jakuba Pizona (Jacobus Piso, ? –1527), legata papieża Juliusza II, powstałe prawdopodobnie w 1510 roku. Epigramaty te odwołują się do iluzji malarstwa, dotyczą przedstawienia malarskiego wyobrażającego samobójstwo Lukrecji, któremu przypisują moralno-pedagogiczne, estetyczne czy etyczne cele. Bogate aluzje literackie w epigramatach Krzyckiego o charakterze satyrycznym zwrócone są przeciw Pizonowi, są satyrycznym ujęciem homoseksualnych preferencji legata.
EN
In the paper the author analyses the New Latin epigrams by Andreas Cricius (1482–1537) connected with Lucretia and with the figure of Jacobus Piso (? –1527), a legate of the Pope Julius II, produced probably in the year 1510. The epigrams refer to the illusion of painting, concern the painterly illustration of Lucretia’s suicide to which they assign moral-pedagogical, aesthetic, and ethic aims. Rich literary allusions of satirical character in Cricius’ epigrams are directed against Piso—they are satirical depiction of the legate’s homosexual preferences.
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