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Content available remote

Wiejska turystyka kulturowa na przykładzie Wielkopolskiego Parku Etnograficznego w Dziekanowicach

100%
Zakrzewska J.
Turystyka Kulturowa
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2011
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issue 7
4-19
EN
The article outlines the idea of rural cultural tourism which is the aim of tourist trips more and more often. The example of such trips’ destination is the Greater Poland Ethnographic Park (Wielkopolski Park Etnograficzny) in Dziekanowice which paints the picture of the Greater Poland (Wielkopolska) countryside in the past. The text aims at bringing closer the history of the open-air museum development in European countries considering the Polish open-air museum thoughts. The last part of the article presents the survey data regarding the assessment of the Greater Poland Ethnographic Park’s attractiveness as a suggested destination for spending leisure time.
2

ROLE OF THE KOLBUSZOWA FOLK CULTURE OPEN-AIR MUSEUM IN STUDIES OF TRADITIONAL WOODEN ARCHITECTURE OF THE RZESZOWIACY ETHNOGRAPHIC GROUP

80%
Tomaszek T.
Muzeológia a kultúrne dedičstvo
|
2021
|
vol. 9
|
issue 3
43 – 63
EN
Province is located in the south-eastern corner of Poland. At the beginning of the 1970s, as the result of an initiative drawing attention to the need for documentation of the rapidly disappearing traditional Rzeszowiacy vernacular wooden architecture (and that of the neighbouring ethnographic group, the Lasowiacy), the Folk Culture Open-Air Museum in Kolbuszowa was created. This paper presents a short overview of the open-air museum’s establishment and describes in detail its role in the study and protection of the wooden architectural heritage of the Rzeszowiacy ethnographic group, based on the museum’s research, carried out over fifty years, and its collection of buildings.
3

MÚZEUM V PRÍRODE AKO VÝZNAMNÝ PRVOK ZACHOVANIA REGIONÁLNEJ KULTÚRY A JEHO VÝZNAM PRE ROZVOJ CESTOVNÉHO RUCHU

80%
Zuskinová I.
Etnologické rozpravy (Ethnological Disputes)
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2005
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vol. 12
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issue 2
183-191
EN
The open-air museums fulfill the most important part of cultural heritage.They present a traditional way of life in reconstruction of the historic, cultured and natural milieu but they preserve important evidence of traditional bildling culture too. They are a phenonemom that preserves differences of cultures, countries and historical development of every nation. In terms of contemporary word trends - renaissance of localism and regionalism, the open-air musems can become very important and demanded article of tourism, but they must have a good marketing strategy and they have to offer the products in conformity with the universal interrests
4

“ONLY THIS THEATRE, FAITHFUL AND TRUE, CAN PRESERVE THE DISTINCTIVE IDENTITY...”

80%
Kuminková E., Vojancová I.
Slovenský národopis (Slovak Ethnology)
|
2021
|
vol. 69
|
issue 4
534 - 551
EN
This article explores the complex role played by the staff of open-air museums in the Czech Republic, their relationship with the communities they work with, and their impact on the intangible cultural heritage outside the museum gates. It further explores the considerable role played by researchers active in policy making at open-air museums. The position of open-air museums is rather intricate from the perspective of communities and the state administration, with many different roles and tasks that allow and sometimes even encourage open-air museum employees to transform heritage rules or create new ones. Our conclusions are based on several case studies illustrating how the staffs of Czech open-air museums build their relationships with communities, groups and individuals and how this collaboration effects the safeguarding of the intangible cultural heritage. Ethical issues related to museum interpretation and perceptions of interpreted elements by the public are also discussed
5

MILLS AS MONUMENTS IN POLAND - PROTECTION OF CULTURAL HERITAGE IN SITU AND IN OPEN-AIR MUSEUMS

70%
Mosakowski Z., Brykała D., Prarat M., Jagiełło D., Podgórski Z., Lamparski P.
Muzeológia a kultúrne dedičstvo
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2020
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vol. 8
|
issue 3
41 – 62
EN
The paper presents the results of research on the history of protection of mills as objects of cultural heritage on Polish lands. First, the spatial distribution of over 20 thousand of mills at the beginning of the previous century is characterised, then the main actions undertaken for their protection in the 19th and 20th centuries are discussed. Merely 3.4% of mills that worked in the past are now protected as monuments and recorded in the national register. Most of them remain in their original locations (in situ), and another 71 windmills and 22 watermills have been relocated to open-air museums. These specific institutions face a particularly important task involving the necessity to retain the original functionality of mills.
6

NEW APPROACH TO COMMEMORATING OPEN-AIR WAR SITES ON THE EXAMPLE OF THE MUSEUM OF WESTERPLATTE AND THE 1939 WAR IN GDAŃSK, POLAND

70%
Trojanowska M.
Muzeológia a kultúrne dedičstvo
|
2023
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vol. 11
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issue 3
37 – 51
EN
This paper focuses on current issues in the development of open-air memorial sites. The concept of open-air museums is evolving in the twenty-first century to encompass sustainable protection of war monuments in their historical context. The cultural landscapes require minimal intervention. However, to ensure the viability of the museums and accessibility to visitors, new additions – in terms of architecture and urban design – are inevitable. The challenge is to guarantee the quality and coherence of any additions and to preserve historic landscapes. It is also crucial to ensure public acceptance of revitalization efforts. Open architectural competition might be a reliable means of delivering viable results, as demonstrated by the recent construction of a new military cemetery and restoration of the battlefield in Westerplatte in Gdańsk, Poland.
7

HERITAGISATION OF THE VERNACULAR IN A CENTRAL EUROPEAN BORDERLAND: WOODEN CHURCHES AND OPEN-AIR MUSEUMS IN UPPER SILESIA

61%
Gorzelik J.
Muzeológia a kultúrne dedičstvo
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2021
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vol. 9
|
issue 1
63 – 79
EN
This article focuses on how the demand for social and political meanings, generated by nation-building processes and competence between nationalisms in Central Europe, has determined the protection and heritagisation of vernacular architecture. The problem has been analysed using the example of the wooden churches in Upper Silesia — the region contested by Germany and Poland. These monuments gained unprecedented importance as they were believed to testify to ancient architectural traditions and were used to prove the Germanic or Slavic roots of regional culture. The article reveals the evolution of churches’ meanings and the ways they have affected the monument protection and functioning of open-air museums.
8
Content available remote

Některé aspekty revitalizace tradičních technologií lidového stavitelství

61%
Michalicka V.
Národopisná revue (Journal of Ethnology)
|
2010
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vol. 20
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issue 2
79-83
EN
The traditional building techniques include plenty of information and affirmations that can be purposefully applied in the process of creating and improving the cultural memory of the society. Revitalization of traditional techniques in folk architecture means in this case the 'revival of historical manufacture procedures'. In practice, they are done for different reasons and needs. However, the struggle to protect the knowledge from being fully forgotten is the primary one. Nevertheless, only the finding of renewed social legitimacy for traditional techniques and the active social use mean the real revitalization. The functionality of the revived techniques is the necessary condition for legitimate revitalization. It is especially the museum memory institutions and the institutions of monument preservation that can try to revitalize the historical phenomena successfully. Those institutions have namely the opportunity to research the original and authentic element, to read necessary information in them, to analyze the information scientifically and to verify and apply them. Especially the open-air museums with their nature comply with the conditions of experimental centers that offer the unique chance to revitalize the traditional techniques in folk architecture in the most real and historically identical appearance.
9

OPEN-AIR MUSEUMS – THE FUTURE OF THE PRESENTATION OF SPIRITUAL AND ARCHITECTURAL HERITAGE

61%
Rychnová L., Maturkanič P., Slobodová Nováková K., Pavlíková M.
Muzeológia a kultúrne dedičstvo
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2022
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vol. 10
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issue 1
5 - 18
EN
The origins of “open-air museums” date back to the nineteenth century and from the very beginning were closely linked to efforts to capture, preserve and present folk culture. However, during the course of the twentieth century, especially in its later part, the concept of open-air museums began to expand. Open-air museums were founded that focused on urban, industrial and military environments, ecological issues, or on charting the life of prehistoric and ancient cultures. Along with this, the methodological concept for this specific type of institution saw some development, and the interdisciplinary approaches expanded in response, covering a wide range of humanities as well as natural sciences. Besides the academic approach, a social and community overlap is also required from these institutions. This article poses the question of how the concept of open-air museums can continue to develop and what direction the role of presenting cultural heritage in an open landscape could take in the future. The arguments herein are based on the philosophical and spiritual dimension of man’s dwelling in the world and his relationship to the landscape in which he lives. We believe that the future of open-air museums should, wherever possible, focus on the preservation of monuments in their historical context and especially in their natural links in terms of landscape, urbanism and architecture. To ensure this concept remains sustainable, it is necessary that these monuments be involved in the life of villages and communities, ideally also on the basis of cooperation between academia and local entities, which are usually villages or municipalities and citizens’ initiatives. Examples of such a direction can be seen in the founding and running of Rochus Park in the Uherské Hradiště region and in the concept of the association of villages called Mariánská zahrada in the Jičín region, both in the Czech Republic.
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