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Опыт коллективного прочтения пьесы Олега Богаева Башмачкин

100%
Shromm N., Kurpnietse R.
Przegląd Rusycystyczny
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2011
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issue 1
RU
The conceptual bases of the central fictional images-concepts and their associative potentialare revealed in the article on the comparative basis. Special attention is paid to the specificsof the associative and semantic zones of the concepts. The associative sphere is formedand analyzed on the basis of the data received from the associative experiment, conductedin the group of Master program students-linguists of the Department of Slavistics in theUniversity of Latvia. The experiment revealed broad specter of individual associations,personal meanings, which accompany the central images-concepts and their semanticsimilarities and differences.
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Жизнь, зависшая в цитатах. О комедии Олега Богаева „Как я съела мужа”

88%
Graf A.
Acta Universitatis Lodziensis. Folia Litteraria Rossica
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2013
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vol. Zeszyt specjalny 2013
173-183
EN
Citationality and intertextual combining of the new ‘New Drama’ form a central device of contemporary dramatic arts. In his comedy How I Ate My Husband (2009) Bogaev takes citationality to extremes and lucidly demonstrates that not only the dramatis personae but also the playwright himself, the director, and the audience are subjected to the torrent of models and pretexts largely determining the action. The whole life has frozen as if it was one big quotation running through the canvas of the dramatic text on all levels and linking the fictional life within the play to real life, combining traditional concepts of theatre with the ideas of new drama. There is no place for coincidence, it turns out that all is one persistent recurrence.
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