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1

CHARACTER-PAIR IN THE CHINESE NOVEL QILU DENG

100%
Olivová L.
Asian and African Studies
|
2017
|
vol. 26
|
issue 1
116 – 126
EN
This article investigates two female characters from the novel Qiludeng (The Lantern at the Crossroads), completed in 1777. They were imagined as a complementary pair. Therefore, the article will also address the literary concept of a “character-pair”, and its relation to the formal parallelism. Then we shall note that the disposition and demeanour of this particular pair correspond with many traditional notions of female social roles, observed by modern anthropologists today. Finally, “character-pairs” in Chinese vernacular fiction will be recognised as distinct from the so called “doubles” in Western fiction of the nineteenth century.
2

Dualizm psychofizyczny w koncepcji Malebranche`a i Bergsona na podstawie charakteru postrzeżenia zmysłowego. Próba porównania

84%
Walerich E.
Kwartalnik Filozoficzny
|
2015
|
vol. 43
|
issue 4
61-82
EN
In the article I compare the psycho-physical dualism of Nicolas Malebranche and Henri Bergson. The study of these two systems is important because Bergson is often critical of modern theories claiming a parallelism of soul and body. Malebranche bases his system on the category of space, while Bergson rejects the spatial view of reality and bases his conception on the notion of duration. On the one hand, Bergson criticizes the Cartesian dualistic conception. Yet, on the other hand, he builds his system in reference to modern solutions. The comparison of these two significantly different conceptions gives a more profound understanding of the problem of psycho-physical dualism. Furthermore, it makes possible a better appreciation of the innovative character of Bergson’s proposal. I consider the relation between mind and brain by means of an analysis of sensation because in both theories it is here that soul and body meet.
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