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A CANON OF THREE VOICES: BOLESLAW LESMIAN'S 'SAVAGERY OF POSTHUMOUS HABITS'

100%
Kolossowska B.
Ruch Literacki
|
2008
|
vol. 49
|
issue 4-5
439-453
EN
While making a contribution to the discussion about Lesmian's synchronism this article tries to demonstrate that 'Savagery of Posthumous Habits', the last of his known works, marks a notable expansion and evolution of the poet's imagination. This new departure is most evident in the greater complexity of his characters' psychology, quite distinct from his customary design of the afterlife, and in the infusion of carefully worked out elements of movement and light into his traditionally colourful descriptions. Further evidence comes from an analysis of the plot structure and characterization, especially the construction of character profiles, the characters' speech and ways of self-realization. Apart from the diversification of idiolects Lesmian's last work employs a whole range of theatrical techniques such as scenic presentation, stage directions, props, etc. While retracing the investigation, which functions as the frame of the action, the article examines the reasons and causal sequences of the events depicted in Lesmian's drama.
2

BÁSNICTVÍ A SNOVÁ PRÁCE: K LOWESOVU VÝKLADU COLERIDGE

88%
Fulka J.
Filozofia (Philosophy)
|
2011
|
vol. 66
|
issue 7
644 – 654
EN
The paper offers an interpretation of a classical study of Coleridge’s poetry: The Road to Xanadu by John Livingstone Lowes published in 1927. While Lowes’ book is considered as a monumental work summarizing the sources of Coleridge’s poetic image, the paper tries to show that in addition to that Lowes develops a remarkable theory of imagination close to certain themes of Freud’s theory of dream-work, as well as to Warburg’s interpretation of Boticelli or Havlíček’s conception of poetic image.
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