Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 2 ESPES

Authors help

  1. 1 Kim S.

  2. 1 Park M.

Years help

  1. 2 2022

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  PUNGRYU
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

CHO JIHOON’S KOREAN AESTHETICS: THE CONCEPT OF ‘MEOT’

100%
Kim S.
ESPES
|
2022
|
vol. 11
|
issue 1
40 - 49
EN
Cho Jihoon’s aesthetics is based on the Confucian literati’s spirit, choesado, and on the Buddhist idea of non-duality. He presented the theory of meot, meaning taste originally, as a Korean-specific aesthetic category in his Study of Meot, where he synthesized the previously discussed theories of other scholars into twelve elements. Discussing the formal characteristics of works that have the aesthetic quality of meot, he took unrefinedness as basic and cited diversity, eurhythmy, and curvature as its sub-traits. Discussing the compositional power or method of expression that provokes meot, he took hyper-standard as basic, and the sub-traits include maturity, distortion, and playfulness. Furthermore, he discussed meot as an emotion or idea that Koreans live with, where the most basic one is otiosity (impracticality), and assimilation, moderation, and optimism are its sub-traits. Finally, he identified meot as the ultimate aesthetic state with pungryu, a lifestyle in harmony with Nature, which is originated from the ancient Silla period.
2
Content available remote

SPECTRUM OF AESTHETIC ISSUES IN THE MODERN DEVELOPMENT OF THE JOSEON LITERATI GENRE GAGOK

88%
Park M.
ESPES
|
2022
|
vol. 11
|
issue 1
58 - 75
EN
To Korean people by the end of the 19th century who had previously enjoyed only traditional music genres, the music introduced by the hands of the missionaries must have been very new and unfamiliar. One hundred and a few decades since the meagre beginning of the meeting between the two has now passed, Korea has transformed into a modernized society where all kinds of music are performed and enjoyed, among which Western classical and popular music exist with considerable weight. In the course of the development, there were constant exchanges between Korean traditional music and Western music. Korean traditional music has been subject at one end to defensive modification under the motto of transmission and at another end to aggressive destruction of some core aspects of the tradition under the motto of re-creation. This phenomenon creates important aesthetic issues in this study deals with the spectrum between the two ends drawn up by the traditional vocal genre, gagok.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.