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1
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A Lutheran, Maciej Vorbek-Lettow (1593–1663) and his Studies in Padua

100%
Chemperek D.
Perspektywy Kultury
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2023
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vol. 41
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issue 2/1
63-74
IT
Maciej Vorbek-Lettow, medico dell’etmano Krzystof Radziwiłł e successivamente del re Władysław IV, lasciò un diario dal titolo Skarbnica pamięci [il tesoro dei ricordi], nel quale descrisse con precisione i propri studi medici a Padova. L’alto valore di questa opera come fonte comprende diversi fattori: Vobek-Lettow studiò, ventenne, nella città di Antenore negli anni 1613–1614; ebbe precedenti esperienze educative in vari centri universitari (Vilnius, Danzica, Parigi, Lovanio); ricoprì alla padovana Università degli Artisti la funzione di sindaco; partecipò attivamente alla riforma dell’università, che concedeva ai non cattolici gli stessi diritti dei cattolici nel conseguimento dei dottorati; prese parte ai primi scontri nella guerra di Gradisca. Lo scopo dell’articolo è quello di dimostrare l’attività di Vorbek-Lettow a Padova e nella Repubblica di Venezia sullo sfondo storico, prendendo in considerazione il ruolo della facoltà di medicina dell’Università di Padova per lo sviluppo della scienza medica nello stato polacco-lituano del XVI–XVII secolo.
EN
Maciej Vorbek-Lettow – Hetman Krzysztof Radziwiłł’s physician, and later one of King Władysław IV, left a memoir, Skarbnica pamięci [Treasury of Rememberance], in which he described his medical studies in Padua in detail. Many factors contribute to the great source value of this work: Vorbek-Lettow studied in Padua in 1613–1614 as a 20-year-old; he had previous educational experience from various academic centers (Vilnius, Gdańsk, Paris, Louvain); he held the position of syndic at Padua’s Università Artisti; he actively participated in the reform of the university, which gave non-Catholics equal rights in receiving doctorates as Catholics; and he took part in the first clashes in the guerra di Gradisca. The purpose of the article is to show the activity of Vorbek-Lettow in Padua and the Republic of Venice against the historical background, taking into account the role of the Paduan faculty of medicine for the development of medical science in the Polish-Lithuanian Commonwealth of the 16th–17th centuries.
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Devote e cólte: le sepolture trecentesche femminili della basilica di Sant’Antonio a Padova

88%
Molli G. B.
Perspektywy Kultury
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2023
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vol. 41
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issue 2/1
249-288
EN
The essay analyzes women’s burials present in the basilica of St. Anthony in Padua during the fourteenth century. Some of them have survived and some are just documented in historical sources. During the fourteenth century, there were clearly more female tombs (about twenty), than in the following centuries, and they belonged to families of high status. The significant number of such burials shall be put in relation with the lordship of the Carraresi, thanks to whom the city, in the fourteenth century, had a strong political importance and a very high cultural profile within the Po Valley region of the peninsula.
IT
Il saggio analizza la presenza delle sepolture femminili nella basilica di Sant’Antonio a Padova, nel corso del XIV secolo, in parte pervenute e in parte documentate nelle fonti. Durante il Trecento infatti, le tombe femminili sono in numero nettamente superiore, circa venti, rispetto a quelle dei secoli successivi e appartengono a famiglie di rango elevato. La numerosità di tali sepolture è da mettere in relazione alla signoria dei Carraresi, che resero la città, nel Trecento, un centro, nell’ambito dell’Italia padana, di importanza politica e altissimo profilo culturale.
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Venezia e Padova nelle poesie in latino di Klemens Janicki

88%
Wojtkowska-Maksymik M.
Perspektywy Kultury
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2023
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vol. 41
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issue 2/1
227-240
EN
This article discusses selected elegies and epigrams by Klemens Janicki which contain descriptions of Padua, Italy and people associated with the city of Antenor and Venice: Lazzaro Bonamico, Giovanni Battista Da Monte, Francesco Cassano, Pietro Bemba, Ludovico Dolce, Daniele Barbaro. The author argues that Janicki succeeded in creating an image of Italy and, above all, Padua – a second homeland where the poet could develop, study, and be cured. The poems associated with Italy and Padua also help to enrich the literary biography of Janicius – a citizen of the world, a laureate poet, a cheerful student, a happy patient, a friend, and colleague of the people associated with the Republic of Venice in the first half of the 16th century.
IT
L’articolo tratta di elegie ed epigrammi scelti composti da Klemens Janicki, i quali contengono descrizioni di Padova, dell’Italia e di persone legate alla città di Antenore e a Venezia: Lazzaro Bonamico, Giovanni Battista Da Monte, Francesco Cassano, Pietro Bembo, Ludovico Dolce, Daniele Barbaro. L’Autrice sostiene che Janicki sia riuscito a creare un’immagine dell’Italia ed in particolare di Padova, una seconda patria, dove il poeta potè svilupparsi, studiare ed essere curato. Le poesie legate all’Italia e Padova contribuiscono inoltre ad arricchire la biografia letteraria di Janicki, un cittadino del mondo, un poeta laurato, uno studente allegro, un paziente felice, un amico e un collega delle persone legate alla Repubblica di Venezia nella prima metà del XVI secolo.
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Le visite a Padova di Waleria Tarnowska

75%
Zych T.
Perspektywy Kultury
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2023
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vol. 41
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issue 2/1
241-248
EN
In 1803–1804 Waleria Tarnowska, née Stroynowska and her husband Jan Feliks Tarnowski travelled around Italy. The purpose was to purchase works of art, which were to become the basis for building a collection at their family home in Dzików. During the trip, the couple visited all the most important cities, meeting with prominent figures of scientific life and artists. They also visited Padua with its most important monuments twice. However, the biggest impression was made by the famous university, where they held talks with the professors of the time and visited the university’s botanical garden. During the journey, which resulted in purchasing numerous paintings and sculptures, Valeria Tarnowska kept a journal, preserved to this day, which is a testimony to her impressions and emotions.
IT
Nel 1803–1804 Waleria Tarnowska, nata Stroynowska, e suo marito Jan Feliks Tarnowski, viaggiarono attraverso l’Italia. Lo scopo del viaggio era quello di acquistare opere d’arte, che sarebbero dovute diventare la base per la creazione di una collezione nella loro dimora familiare di Dzików. Durante il viaggio, la coppia visitò le più importanti città, incontrando gli scienziati più in vista e artisti. Visitarono inoltre due volte Padova, con i suoi importanti monumenti. Tuttavia, fu la famosa università a impressionarli maggiormente. Parlarono con i professori del tempo e visitarono l’orto botanico dell’università. Durante il soggiorno, durante il quale acquistarono numerosi dipinti e sculture, Waleria Tarnowska tenne un giornale, conservato sino ad oggi, il quale testimonia delle sue impressioni ed emozioni.
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Cultural, Class, or Scientific Aspirations? Polish Jews at the University of Padua

75%
Marchel S.
Perspektywy Kultury
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2023
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vol. 41
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issue 2/1
147-162
IT
Tra gli studenti di medicina a Padova provenienti dalla Confederazione Polacco-Lituana, nei secoli XVII e XVIII, possiamo notare un certo numero di Ebrei. L’articolo contiene una breve analisi dei risultati fino ad ora ottenuti nell’ambito della ricerca su questo aspetto della storia delgi Ebrei nella Prima Repubblica di Polonia. Riferendosi a fatti più o meno conosciuti, l’Autore presta particolare attenzione alle motivazioni e alle aspirazioni degli studenti ebrei che arrivavano alla città di Antenore dalle terre Polacco-Lituane. Seguendo la carriera degli Ebrei laureati in medicina, possiamo osservare che per molti di loro conseguire il diploma a Padova non non era solo un modo per ottenere uno status migliore nella comunità ebraica, ma anche una porta per superare le barriere culturali. Secondo l’Autore, ciò era possibile poiché molti dei rappresentanti della nobiltà polacca, detti “padovani”, avevano avuto analoghe esperienze di contatto con l’ambiente universitario e con la cultura della Repubblica di Venezia.
EN
Among the students of medicine in Padua from the Polish-Lithuanian Commonwealth, in XVII and XVIII centuries, we can note a certain number of Jews. This article contains a short analysis of so far findings in the area of research on this aspect of Jewish history in the First Republic of Poland. Referring to more and less known facts, the Author paid particular attention to the motivations and aspirations of Jewish scholars who had come to City of Antenor from Polish-Lithuanian land. Following the careers of Jewish medical graduates, we can see, that for most of them having a Padua diploma was not only the way to gain a better status in the Jewish community but also a gateway to overcoming cultural barriers. According to the Author, this was possible due to the fact, that many of the representatives of polish nobility, who were called “Paduans,” had similar experiences of contact with the university environment and the culture of the Venetian Republic.
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Un messaggio per i posteri. La tomba di Stanisław Miński nella Basilica di Sant’Antonio a Padova

63%
Lenart M.
Italica Wratislaviensia
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2021
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issue 12.2
11-27
EN
The article deals with the first burial in the tomb crypt built under the altar of the "natio polona" in the Basilica of St. Anthony in Padua. Stanisław Miński, a Polish state dignitary and diplomat who was passing through Padua on his way from Naples, was the one buried here. The tombstone, removed only in the first half of the 20 th century, contained information about the laying of Miński’s body to rest in the place where church services associated with Poland and Poles were performed. For over three centuries, the tomb attracted the attention of pilgrims from Poland coming to Padua, reminding them not only of the outstanding Polish diplomat, but also of the "natio polona", which, in the 16 th and early-17 th centuries, constituted a large and distinctive group of "ultramontani", that is, those who came from beyond the mountains, most of whom had come to study at the flourishing university. In the article, little-known documents concerning the burial are gathered; these documents are kept in the Paduan archives and had been collected by the clergy and secular administration of the Basilica. Via the analysis of these documents, the cultural context in which the decision against bringing Miński’s body to Poland is reconstructed. The role of the institution, constituted by the administration of St. Anthony’s Basilica operating under the name of Veneranda Arca di Sant’Antonio, which grants permission to lay the body in the Basilica, is also established.
IT
L’articolo affronta la questione della prima sepoltura nella cripta funebre, realizzata sotto l’altare della "natio polona" nella Basilica di Sant’Antonio a Padova. Tale sepoltura riguardava Stanisław Miński, dignitario di stato polacco e diplomatico, che passò da Padova diretto a Napoli. Dell’inumazione del corpo di Miński nel luogo di celebrazione liturgica del santuario associato alla Polonia ed ai polacchi informava una lapide, rimossa solo alla metà del XX secolo. Per oltre tre secoli essa attirò l’attenzione soprattutto dei pellegrini polacchi giunti a Padova, ricordando non solo la figura del grande diplomatico polacco, ma anche la "natio polona", che nel secolo XVI e agli inizi del XVII costituiva in città un gruppo numeroso e particolare di oltremontani, in gran parte legati agli studi compiuti nel periodo d’oro dell’università. Nell’articolo sono riportati documenti scarsamente noti concernenti la sepoltura, conservati negli archivi padovani, redatti dall’amministrazione religiosa e da quella della basilica. Grazie alla loro analisi, è stato ricostruito il contesto culturale nel quale fu deciso di rinunciare al trasporto della salma di Miński in Polonia. Si è altresì sottolineato il ruolo svolto dall’istituzione cerata dall’amministrazione della Basilica di Sant’Antonio, operante con il nome di Veneranda Arca di Sant’Antonio, la quale rilasciava i permessi per l’inumazione delle salme nella basilica.
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Z Polin do Grodu Antenora. Wyprawy żydowskich studentów po nauki do Padwy w czasach I Rzeczypospolitej

63%
Marchel S.
Studia Żydowskie. Almanach
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2022
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vol. 12
27-40
EN
Among the students from the Polish-Lithuanian Commonwealth in Padua, of whom we know from archival materials, we can find several Jews. Their presence among the students attending medical lectures at the University of Artists is treated in historiography as a manifestation of the tolerance of the Gymnasium Patavinum authorities and as proof of the existence of religious freedom in the Polish-Lithuanian state, unheard of in other parts of Europe at that time. In this article, relying on archival sources and previous establishments of the researchers, I present a short analysis of the Jewish students’ situation in Padua’s Atheneum. Furthermore, following the careers of selected medics with Jewish ancestry in the First Republic of Poland, I try to find answers to the questions concerning the inspirations and desires that underlied their decisions to study in the City of Antenor.
PL
Wśród studiujących w Padwie przybyszy z Rzeczypospolitej Obojga Narodów, o których wiemy z zachowanych archiwaliów uniwersyteckich, znalazło się kilkunastu Żydów. Ich obecność w gronie scholarów uczęszczających na zajęcia medyczne prowadzone w ramach Uniwersytetu Artystów, traktowana jest w historiografii zarówno jako przejaw tolerancji władz Gymnasium Patavinum, jak i dowód na istnienie w państwie polsko-litewskim swobód religijnych niespotykanych w innych zakątkach ówczesnej Europy. W niniejszym artykule, bazując na materiale źródłowym i dotychczasowych ustaleniach badaczy, przedstawiam krótką analizę sytuacji studentów żydowskich, uczących się w padewskim „Ateneum” w XVII i XVIII wieku. Ponadto, śledząc przebieg karier wybranych lekarzy pochodzenia żydowskiego w Rzeczpospolitej, poszukuję odpowiedzi na pytania o inspiracje i pragnienia, tkwiące u podstaw decyzji o podjęciu nauki w Grodzie Antenora.
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Padova nei periodici polacchi tra la fine del XIX sec. e il 1939

63%
Miszalska J.
Italica Wratislaviensia
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2021
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issue 12.1
161-175
EN
Italy, seen as the cradle of European culture and the destination of the wanderings of Polish intellectuals and artists, often appears in the Polish press of the late-19 th and early-20 th centuries. Among the cities described, Padua is present, although it appears less frequently than Venice or Rome. Articles dedicated to this city, however, have a particular character, because not only is “Padova la dotta” famous for the cult of Saint Anthony, but it is most often presented in the contexts of centuries- old Italian-Polish relations linked mostly to the University and of the Paduan polonica. There are in fact two moments that find a particular resonance in the Polish press: the first, in 1922, for the seventh centenary of the University, and the second, in 1931, for the celebrations of the seventh centenary of Saint Anthony’s death. This article offers a review of the texts that have appeared in various periodicals and includes a brief presentation of the authors—scholars, artists, or journalists active in the promotion of Italian culture. From the texts published both in newspapers and in cultural magazines or even scientific periodicals, the image of the city emerges as strongly marked by the presence of Poles, who were students, university professors, or pilgrims.
IT
L’Italia vista come culla della cultura europea e l’obiettivo delle peregrinazioni degli intellettuali e artisti polacchi appare spesso sulla stampa polacca degli ultimi decenni del XIX e dei primi del XX secolo. Tra le città descritte Padova non costituisce un tema così frequente come Venezia o Roma. Gli articoli dedicati a questa città hanno tuttavia un carattere particolare perché “Padova la dotta”, oltre ad essere famosa per il culto di sant’Antonio, è presentata il più spesso nel contesto di multisecolari relazioni italo-polacche legate per lo più all’Università e quello dei polonica padovani. Due momenti inoltre trovano una risonanza particolare: il 1922 per il settimo centenario dell’Università e il 1931 per le celebrazioni del settimo centenario della morte del Santo. L’intervento propone la rassegna degli articoli apparsi su diversi periodici con una breve presentazione degli autori: studiosi, artisti o giornalisti attivi nella promozione della cultura italiana. Dai testi pubblicati sia nei quotidiani che sulle riviste di cultura o addirittura periodici di tipo scientifico emerge l’immagine della città fortemente segnata dalla presenza dei polacchi: studenti, professori dell’Università o pellegrini.
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Venezia Giulia and Dalmatia: geography and the relationship with the Slavs at the University of Padua after the First World War

63%
Conte A.
Historyka Studia Metodologiczne
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2022
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vol. 52
205-225
EN
The issue of the Italian eastern border after World War I has interested many Italian, Slovenian and Croatian scholars in the field of politics and diplomatic relations. It is known that Italy's diplomatic failure at Versailles in 1919 led to the rise of D'Annunzio's nationalism, which was entirely adopted by Fascism. The question of the Italian eastern border was provisionally resolved in 1920 but its final conclusion came with the Treaty of Rome signed in 1924 concerning the partition of the Free State of Fiume. During this period several Italian intellectuals contributed to the political debate on borders. Before, during and after the war, the city of Padua was one of the main centres of Italian democratic irredentism. Within its university, some professors influenced students through their lectures and historical‑geographical teaching and set a basis for a new kind of knowledge, in between populism and scientific instances. With this contribution, the author considers some particular cases that during the First World War and immediately afterwards exposed their positions through their academic teaching. Among these, the liberal‑patriotic Friulian geographers Arrigo Lorenzi and Francesco Musoni, both professors in Padua, affirming that Italy should reach its natural borders along the Alpine ridge as far as the Istrian and, for Musoni, Dalmatian mountains. Noteworthy at a time, when nationalism pitted peoples against each other, they considered Slavic culture as a natural and historical characteristic of north‑eastern Italy: even if they affirmed it had been used by the Germans to annihilate Italian culture, it should not be eliminated but integrated jointly with the creation of friendly relations with the Kingdom of SCS. Despite their ideas, history would turn out differently. Their example, however, bears witness to the fact that in intellectual circles and in higher education in Italy after the Great War, in particular among geographers, there was a minority aiming at a peace that went beyond nationalism and was based on study and knowledge regarding neighbouring countries.
10
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La Padova di August Fryderyk Moszyński

63%
Łukaszewicz J.
Italica Wratislaviensia
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2021
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issue 12.1
123-140
EN
This article is dedicated to the image of Padua in the diary of August Fryderyk Moszyński (1731–1786), a close collaborator of King Stanislas August Poniatowski, architect, director of royal buildings, and promoter of the Warsaw theatre. The diary, which covers a journey to France and Italy (1784–1786), has been partially published in the original French version (1930; 2010) and Polish translation (1970). The diary is remarkable for Polish 18 th -century odeporic literature due to its critical approach, quasi-scientific character, and interest in contemporary developments. In this article, the author establishes the dates of Moszyński’s stay in Padua and then analyses elements such as the descriptions, impressions, and assessments of urban environments; buildings, pictures, people, and events; as well as cultural and scientific life. The portrait of Padua drawn by Moszyński is compared with that which emerges from other travelogues and texts presented to the Polish public at the time, in particular with the description of Italy that appeared in the Warsaw journal "Pamiętnik Historyczno- Polityczny" in 1787. The analysis of the travelogue passages relating to the two stays in Padua confirms the versatility of the traveller. The description of Padua by Moszyński is multifaceted, often ironic and personal. He wrote as an expert in architecture and urban spaces; a connoisseur of theatre; a builder of scientific instruments; an admirer of Renaissance artists; a lover of truth in art; and a sharp and critical observer. The last part of the article is dedicated to the circumstances of Moszyński’s death, which, contrary to what may be suggested by the diary, did not occur in Padua but in Venice (on 3 July 1786, at the famous Leon Bianco inn).
IT
L’articolo è dedicato all’immagine di Padova nel Diario di viaggio in Francia e in Italia (1784–1786) di August Fryderyk Moszyński (1731–1786), stretto collaboratore del re Stanislao Augusto Poniatowski, architetto, direttore di edifici reali, promotore del teatro di Varsavia. Il diario è stato parzialmente pubblicato in francese (1930, 2010) e in traduzione polacca (1970). Nella letteratura odeporica polacca del Settecento si distingue per il suo approccio critico, il carattere quasi scientifico e l’interesse per il presente. Una volta fissate le date dei soggiorni a Padova, vengono analizzati elementi quali descrizioni, impressioni e valutazioni relative ad ambienti urbani, edifici, quadri, persone ed eventi, nonché la vita culturale e scientifica. Il ritratto di Padova disegnato da Moszyński è messo a confronto con altri odeporici dell’epoca e quello che emerge da testi su argomenti simili presentati al pubblico polacco nello stesso periodo, in particolare con la descrizione dell’Italia apparsa a puntate sulla rivista varsaviana "Pamiętnik Historyczno-Polityczny" nel 1787. L’analisi dei brani del diario relativi ai due soggiorni a Padova conferma la versatilità del viaggiatore. La descrizione di Padova è sfaccettata, spesso ironica e personale. Moszyński scrive da esperto di architettura e di spazi urbani, conoscitore di teatro, costruttore di strumenti scientifici, ammiratore di artisti rinascimentali, amante della verità nell’arte, osservatore acuto e severo. L’ultima parte del saggio è dedicata alle circostanze della morte di Moszyński, che – contrariamente a quanto affermato in alcune fonti e a quanto suggerito dal diario stesso – non è avvenuta a Padova, bensì a Venezia (il 3 luglio 1786, nella famosa locanda del Leon Bianco).
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“Patavium virum me fecit” – Padova come luogo di formazione delle antiche élite polacche

63%
Tygielski W.
Italica Wratislaviensia
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2021
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issue 12.1
21-46
EN
Using the Atti della Nazione Polacca at the University of Padua as a main source, the author describes the role that this university played in the education of students from the Polish- Lithuanian Commonwealth from the 16 th to 18 th centuries. According to the author’s research, this role was crucial in the 16 th century, when a significant part of Polish elites included a stay at this university in their curriculum. In the 17 th century, the number of students from Poland-Lithuania studying in Padua decreased slowly but continuously, and in the 18 th century, the number was marginal. In the period under discussion, the social structure of this group significantly changed: students looking to acquire knowledge that was necessary for their future professional career were gradually replaced by young men of aristocratic and noble families, for whom a visit in Padua, be it long or short, was only a stage in their educational European "Grand Tour". According to the author, this can be explained by intellectual changes in Polish-Lithuanian society: a general and rather superficial education was gradually preferred to university-based and professionally-provided knowledge. A study of selected travel diaries supplemented and confirmed the results of the presented statistical analysis. All Polish travellers visiting Padua in the 16 th and 17 th centuries described the University and considered it as the most important institution of the city; meetings with compatriot students were also often mentioned. Later on, the University was no longer the obvious subject of the descriptions and 18 th -century travellers often did not even mention it at all. Nevertheless, there is still available evidence that the Polish presence in Padua, although reduced, was visible and important for the city.
IT
Analizzando i registri di immatricolazione della nazione polacca (Metryka nacji polskiej) dell’Università di Padova, pubblicati mezzo secolo fa da Henryk Barycz e Karolina Targosz, l’autore riflette sul ruolo di Padova nel sistema educativo dei giovani polacchi giuntivi a studiare. Sottolineando l’eccellente reputazione dell’università e l’alta qualità del personale docente, mette in luce l’importanza fondamentale del centro di Padova nel processo di educazione delle "élite" intellettuali polacco-lituane nel XVI secolo. Documenta poi la presenza dei nuovi arrivati dalla "Rzeczpospolita", la quale diminuì gradualmente nel corso del XVII secolo e venne quasi a sparire nel XVIII secolo, interrogandosi sulle ragioni del declino del ruolo dell’Università di Padova nel sistema educativo della Polonia antica. L’autore nota inoltre il mutamento della struttura sociale della comunità di studenti, nella quale diminuisce il numero di persone interessate ad acquisire conoscenze e competenze specifiche, che in futuro sarebbero state alla base della loro attività professionale, mentre cresce la rappresentanza di famiglie magnatizie e nobili, per le quali la permanenza a Padova era solo una tappa del Grand Tour, giro di carattere generale, e non strettamente educativo, dei più importanti centri europei. Questa osservazione sembra confermare il graduale cambiamento del modello educativo dei giovani nella Confederazione polacco-lituana e delle aspettative educative nel paese. Le osservazioni, avanzate sulla base di analisi statistiche, vengono confermate dalla lettura dei diari di viaggio, alla luce dei quali l’università, in essi un primo tempo presente, pian piano cessa di essere un punto di riferimento ricorrente ed oggetto di descrizione da parte dei viaggiatori. Allo stesso tempo, però, la costante presenza polacca a Padova viene confermata dalle pagine dei diari, il che sembra indicare che i rapporti tra la Repubblica di Polonia, Padova e l’Università di Padova siano stati mantenuti, anche se probabilmente su una scala minore. Le conseguenze della formazione all’estero delle élite polacco- lituano-rutene rimangono un argomento aperto ed è proprio il caso di Padova che ci invita in modo particolare a riprenderlo e ad approfondirlo.
12
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L’artista e i “luoghi della memoria”. Padova nelle illustrazioni di Aleksander Gierymski pubblicate sulla stampa

63%
Zarzycki J.
Italica Wratislaviensia
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2021
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issue 12.2
87-109
EN
In the article, four illustrations by Aleksander Gierymski are described. These illustrations were completed for the illustrated press during Gierymski’s sojourn in Italy from 1885 to 1886. These illustrations were typical of the “Polish traces in Italy,” relating to Padua in this case, and were published in the magazines "Wędrowiec" and "Kłosy". These illustrations show the tombs of exceptional Poles who were buried in Padua; commemorative plaques dedicated to them (in honour of Copernicus); or the monuments of Prato della Valle (Sobieski and Batory). However, in the article, based on the illustrations and the accompanying texts, and based on the artist’s correspondences (with the likes of Józef Ignacy Kraszewski, Michał Wiszniewski, Stanisław Dunin-Borkowski, and Władysław Bełza) and his diaries relating his time in Italy, the following issues, amongst others, will be addressed: Gierymski’s work method; the discourse (including the visual discourse) of “Polish traces in Italy” in Padua; Gierymski’s illustrations as an interpretation of the Polish "lieux de mémoire" in Italy. The article encourages an adoption, in the future, of a wider perspective that includes the illustrations of the “Polish traces in Italy” of other Polish artists from that period.
IT
In questo articolo vengono descritte quattro illustrazioni realizzate da Aleksander Gierymski per la stampa illustrata durante il suo soggiorno in Italia dal 1885 al 1886. Erano illustrazioni tipiche di “tracce polacche in Italia”, in questo caso relative a Padova, e pubblicate sulle riviste: "Wędrowiec" e "Kłosy". Esse mostrano le lapidi funerarie di eccezionali polacchi sepolti a Padova, quelle commemorative a loro dedicate (in onore di Copernico), oi monumenti di Prato della Valle (Sobieski e Batory). Pertanto, nell’articolo, basato sulle illustrazioni e sui testi di accompagnamento, sulla corrispondenza dell’artista e sui testi di viaggio in Italia (di Józef Ignacy Kraszewski, Michał Wiszniewski, Stanisław Dunin-Borkowski e Władysław Bełza), sono state affrontate, tra le altre, le seguenti questioni: il metodo di lavoro di Gierymski; il discorso (anche quello visivo), “le tracce polacche in Italia” a Padova; le illustrazioni di Gierymski come interpretazione del "lieu de mémoire" polacco in Italia. L’articolo invita ad adottare in futuro una prospettiva più ampia: le illustrazioni delle “tracce polacche” in Italia” di altri artisti polacchi di quel periodo.
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Early 20th Century Miracula Related to St. Anthony’s Wondrous Painting from Sądowa Wisznia in the Light of Archival Sources from the Collection of the Krakow Archive of Our Lady of the Angels’ Province of the Reformed Franciscans

51%
Małocha J.
Folia Historica Cracoviensia
|
2020
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vol. 26
|
issue 1
159-206
PL
Artykuł stanowi edycję źródła archiwalnego będącego spisem cudów, jakie dokonać się miały od ok. 1900 r. do 1913 r. za sprawą św. Antoniego Padewskiego w wizerunku z reformackiego klasztoru w Sądowej Wiszni. Analizowany tekst znajduje się obecnie w zasobie krakowskiego Archiwum Prowincji Matki Boskiej Anielskiej OO. Reformatów nie stanowi on jednak samodzielnej jednostki archiwalnej, lecz został włączony w tom rękopiśmiennej Kroniki klasztoru w Sądowej Wiszni z lat 1888–1945. Właściwą edycję źródła – wykonaną według zasad I. Ihnatowicza, tj. z zastosowaniem podwójnego systemu rozbudowanych przypisów – poprzedzono wieloelementowym wstępem. Prowadzi on od krótkiego omówienia specyfiki kultu świętego z Padwy w środowisku polskich reformatów, przez rys historii klasztoru w Sądowej Wiszni i samego łaskami słynącego obrazu, aż po analizę przedmiotowych mirakuli. Autorka pokusiła się tu o wskazanie analogii do wymienionych cudów oraz o rozważania na temat rysującego się w świetle informacji źródłowych wycinkowego obrazu kresowego społeczeństwa z początku XX w. w aspekcie pobożnościowym oraz tendencji do uwidocznionej tu wiary w cudotwórczą moc obiektów kultu. Sięgnęła przy tym także do innych źródeł z zasobu wspomnianego archiwum (m.in. ksiąg intencji mszalnych, kroniki, dokumentacji Stowarzyszenia św. Antoniego).
EN
The article is an edition of the archival source containing a list of miracles which took place from ca. 1900 to 1913 through the intercession of St. Anthony of Padua in a painting from the Reformed Franciscan monastery in Sądowa Wisznia. The analyzed text is currently kept in the resources of the Archive of Our Lady of the Angels’ Province of the Reformed Franciscans in Krakow. Note that it does not constitute an independent archive unit, but has been instead incorporated in the hand-written Chronicle of the Monastery in Sądowa Wisznia of 1888–1945. The actual source edition – prepared in accordance with the principles set by I. Ihnatowicz, i.e. a complex, double note system – is preceded by a multi-section introduction. It starts with a brief outline of the unique characteristics of the cult of St. Anthony among the Polish Reformed Franciscans, followed by a short history of the monastery in Sądowa Wisznia and the gracious painting, and closes with an analysis of the miracles. The author did not hesitate to point out analogies withthe miracles described in the article and to include reflections on the fragmentary picture of the early 20th-century society of the Eastern Borderlands of Poland based on the sources, in terms of their religiousness and a tendency to put faith in a miraculous power of objects of worship. She also used other sources from the archives (e.g. the mass intention book, the chronicle and the documents of St. Anthony’s Society).
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Medyczne i pozamedyczne inspiracje polskich studentów sztuki lekarskiej na Uniwersytecie Padewskim w XVI i XVII wieku

51%
Marchel S.
Facta Simonidis
|
2023
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vol. 16
|
issue 1
101-120
EN
Among the educational destinations chosen by the citizens of the Polish-Lithuanian Commonwealth, Padua occupied a prominent position. This was primarily due to the city’s esteemed university, situated along the Bacchiglione canal. Serving as the principal intellectual hub of the Venetian Republic, the university had attracted distinguished scholars for centuries. In the 16th and 17th centuries, it was especially the university’s medical studies that became popular among those seeking to boast a comprehensive education, acquired under the tutelage of Europe’s finest minds. Aspiring medical practitioners and members of noble families alike flocked to the City of Antenor, as Padua was called, in pursuit of erudition and cosmopolitan refinement. This article aims to elucidate the multifaceted dimensions of these sojourns in Padua, which exerted direct or indirect influences on the transformations in the broadly understood health culture of the Polish-Lithuanian territories.
PL
Wśród celów podróży edukacyjnych obywateli I Rzeczypospolitej Padwa zajmowała miejsce szczególne. Przyczyną tego był przede wszystkim funkcjonujący w mieście nad kanałem Bacchiglione uniwersytet, stanowiący główny ośrodek naukowy Republiki Weneckiej, który przez dziesięciolecia przyciągał znamienitych uczonych. W XVI i XVII stuleciu zwłaszcza studia medyczne na padewskiej uczelni stały się pragnieniem wszystkich, którzy chcieli szczycić się gruntownym wykształceniem, zdobytym pod okiem najtęższych umysłów ówczesnej Europy. Do miasta, zwanego Grodem Antenora, przybywali zarówno adepci sztuki lekarskiej, jak i żądni światowego obycia członkowie rodów szlacheckich. W artykule podjęto próbę wskazania różnych aspektów owych pobytów w Padwie, które bezpośrednio lub pośrednio mogły wpływać na przemiany zachodzące w obszarze szeroko pojmowanej kultury zdrowotnej na ziemiach polsko-litewskich.
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