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“The Figure in the Carpet” as Theoretical Tool

100%
Kaplický M.
Eidos. A Journal for Philosophy of Culture
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2019
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vol. 3
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issue 4(10)
21-31
EN
This study is based on the assumption that literary interpretations are explicitly or implicitly influenced by some philosophical system as a general system of thought. In this way, different literary interpretations often hide more general philosophical ideas. Nevertheless, this study tries to show that the interpretation of the given work of art need not be conceived only as application of the general philosophical approach; interpretation of the work of art, as argued in this essay, can in significant ways also show the philosophical approach itself. The subject of this study is the case of Henry James’s short story “The Figure in the Carpet.” This essay includes an analysis of how Tzvetan Todorov, Joseph Hillis Miller, Wolfgang Iser and of Pascale Casanova interpret the story and how they use its dominant image of a “figure in the carpet” for illustration of their own theoretical and philosophical approach.
2
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Miłosz w dialogu z literackim centrum świata

99%
Bill S. S.
Poznańskie Studia Polonistyczne. Seria Literacka
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2012
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issue 20
137-148
EN
In 1986 Bernard Pivot, a French journalist and literary critic, conducted an interview with Miłosz in the television feature called Apostrophes. The conversation was an archetypal example of an encounter between a representative of the “literary centre” and an envoy from what Pascale Casanova later called “une petite littérature”. The present article discusses Miłosz’s contradictory relations with France as a centre of “world’s republic of letters”, against the background of his difficult dialogue with Pivot, and the wider context of Casanova’s theory of inequalities in the literary world. On the one hand, Miłosz felt wiser than French litterateurs, and frequently pointed out to their political naiveness and ignorance of history and the cruel reality of the world. On the other hand, however, Miłosz’s sense of superiority over Western culture was always dialectically linked to the other side of the coin: the rage of a provincial poet at the headquarters of the cultural and economical power.
3
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Surviving the Borderlands: Living Sin Fronteras, Being a Crossroads The Deperipheralization of the Chicano/a Cultural/Literary Space

72%
Riebová M.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2022
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vol. 32
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issue 65
25-41
EN
The following study deals with the evolution of the centre-periphery dynamics in Chicano/a cultural and literary space of the Mexican American borderland region. With a brief overview of the socio-historical and geopolitical context in the background the article offers insight into the gradual formation of the cultural/literary capital of the Mexican American and later Chicano/a community, and inquiries into its possible emergence out of the formerly peripheral position in relation to the literary centres of Spain, Mexico or United States.
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