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Zabawa czy afekt? O ideologicznym uwikłaniu twórczości Wiktora Pielewina

100%
Polak A.
Studia Rossica Posnaniensia
|
2022
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vol. 47
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issue 2
61-76
EN
The aim of the article is to review Victor Pelevin’s works in terms of their critique of current social and political processes as well as various kinds of ideologies and theories. Despite the writer’s association with the group of postmodern artists he is not only focused on typically postmodern text games and playing with readers, his ambitions are also targeted at shaping their views and behaviors. The author of Generation “P” reacts vividly to the changing reality, he is a keen observer with ambitions to influence the world. He raises issues of universal nature, protesting against all ideological norms, social categories, standardizing fashions and stereotypes that enslave human beings, against all ways of manipulating human consciousness. His approach is constantly met with criticism of both pro-Western and traditionalist circles. The former accuse him of an overly skeptical attitude to the Western model of life, while the latter do not like the writer’s ironic approach to social reality, polemics with Russian values and attempts to discredit them.
2

Перетолкование мифов в русской литературе XXI века. Пелeвинский вариант на тему лабиринта

100%
Kalafaticz Ż.
Slavica Wratislaviensia
|
2013
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vol. 157
83 - 90
EN
The present paper deals with some features of the postmodern interpretation of myths. The author, focusing on the work of the famous Russian postmodern writer Viktor Pelevin, tries to describe how computer and Internet technologies influence a literary text. The Helmet of Horror (2005) is a multi-layered postmodernist text that radically reinvents the myth of Theseus and the Minotaur.
3
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Twórcza reinterpretacja mitów narodowych. Próba współodczytania „Trans-Atlantyku” Witolda Gombrowicza i „Małego palca Buddy” Wiktora Pielewina

81%
Jaworski M.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
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2016
|
issue 6
75-81
EN
The aim of this paper is to depict significant parallels between the works  of Witold Gombrowicz and Viktor Pelevin within the scope of reinterpreting national myths. In their novels, Trans Atlantic and Buddha’s Little Finger, the writers seem to take account of substantial danger related to fixed, ossified forms of understanding the notions of nation and motherland. Despite visible differences in their styles both novelist stay alert to automatized relationship to any phenomenon and make attempts at provoking the reader to rethink their relationship to the abovementioned terms. The author of the present paper finds these issues crucial and very up-to-date in the post postmodern society and culture, in particular in light of the recent geopolitical changes.
PL
The aim of this paper is to depict significant parallels between the works  of Witold Gombrowicz and Viktor Pelevin within the scope of reinterpreting national myths. In their novels, Trans Atlantic and Buddha’s Little Finger, the writers seem to take account of substantial danger related to fixed, ossified forms of understanding the notions of nation and motherland. Despite visible differences in their styles both novelist stay alert to automatized relationship to any phenomenon and make attempts at provoking the reader to rethink their relationship to the abovementioned terms. The author of the present paper finds these issues crucial and very up-to-date in the post postmodern society and culture, in particular in light of the recent geopolitical changes.
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