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Powinowactwa i koligacje artystyczne Celiny Michałowskiej

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Kulesza M.

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

2021

issue 10

99-125

The aim of this study is to present the artistic affinities of Celina Michałowska, a painter and a member of the Congregation of the Sisters of the Immaculate Conception of the Blessed Virgin Mary as well as daughter and only student of Piotr Michałowski, the most outstanding representative of the Romantic trend in Polish painting of the 19th century. The multitude of fields of art practised by Michałowska and the various alliances between them make it possible to place this research area in the field of specific correspondence between different arts. The work also discusses the unique network of artistic relations that bound Michałowska not only with other artists from the congregation but also with the members of her distinguished and educated family who were involved in painting, music, writing, which had a considerable influence on the artistic momentum in the life and work of Celina Michałowska.

Celem niniejszego opracowania jest ukazanie artystycznych powinowactw niepokalańskiej artystki malarki Celiny Michałowskiej, córki i jedynej uczennicy Piotra Michałowskiego, najwybitniejszego przedstawiciela romantycznego nurtu w polskim malarstwie XIX-wiecznym. Wielość uprawianych przez Michałowską artystycznych dziedzin i rozmaite alianse, jakie między nimi się dokonywały, pozwala umieścić ów obszar badawczy w polu swoistego korespondowania sztuk. W pracy omawia się także jedyną w swoim rodzaju sieć artystycznych relacji, jakie wiązały Michałowską nie tylko z innymi niepokalańskimi artystkami, ale także z członkami jej znamienitej i wykształconej rodziny, którzy parali się malarstwem, muzyką, pisarstwem, co miało niebagatelny wpływ na artystyczny rozmach w życiu i twórczości Celiny Michałowskiej.

Krosna malarskie jako element datujący obrazy olejne Piotra Michałowskiego

99%

Pasicka-Szpor J.

Ochrona Zabytków

1983

issue 3-4

269-275

The article is part of a doctor’s thesis on ’’Materials and Techniques in Oil Paintings of Piotr Michałowski”. The work of this outstanding romantic painter came to light relatively late, hence it is difficult to date his unsigned paintings. On the basis of exmined frames, canvases, mordants and paints the author undertakes an attempt to reconstruct the order of the creation of paintings assuming that there are links between places of arist’s residence and materials used in painting. A study of 32 paintings of Piotr Michałowski found in the collection of National Museums in Cracow and Warsaw has shown that only eight original painters’ frames have been preserved. Despite such a small number of frames, they became an importat element in dating artisti’s work, just as their construction depended on places where they were bought or made. Preserved frames represent four different types according to the construction of angles. The construction of frames from big centres such as Cracow or Warsaw was most sophisticated for that period. On the other hand, the construction of frames from paintings done in country estates, made by rural carpenters reminds of combinations used in the 17th and in the first half of the 18th century. The dates of the manufacture of frames established in this way were verified during the examination of sub- paintings, mordants and paints, which proved the correctness of proposed dating. The results obtained in the studies reveal a necessity to pay attention to the recording of all conservation interferences including original frames, often removed inconsiderately.

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1 Czytanie Literatury. Łódzkie Studia Literaturoznawcze

1 Ochrona Zabytków

1 Kulesza M.

1 Pasicka-Szpor J.

1 2021

1 1983

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Powinowactwa i koligacje artystyczne Celiny Michałowskiej

Krosna malarskie jako element datujący obrazy olejne Piotra Michałowskiego