Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 9

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Polish Radio
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
Kazimierz Sowiński started working on the idea of the magazine „Pamiętnik Literacki” in London in 1974 as a „reference book” to document the cultural and literary life of the Polish diaspora. There was a desperate need to register and collect in one publication, facts, literary events, awards, institutions, as well as to print essays about poetry and prose. „Pamiętnik Literacki” was preceded by the correspondence of its editor with Polish writers from all over the world. Kazimierz Sowiński was the right person to ensure the success of „Pamiętnik Literacki” because he gathered vast experience and knowledge throughout his life. Before Second World War he published his first poetry and novels, collaborating with well-known magazines in Warsaw and Lodz, he worked in Polish Radio, and made many public appearances. He had a very good record as a patriot during the war, and between 1952–1973 he was employed by Radio Free Europe in Munich, and was later elected as Chairman of Związek Pisarzy Polskich na Obczyźnie (e Union of Polish Writers Abroad). He never completed the magazine „Pamiętnik Literacki”, because he had a stroke which let him paralysed. Its rst edition was printed in 1976 as an annual magazine and now the review comes out twice a year. Kazimierz Sowiński – poet, playwright, editor and journalist, died in Mabledon Hospital in 1982.
EN
The article attempts to present the specificity of radio music broadcasts as a form of didactic method used while teaching children about music. The Polish Radio music broadcasts created by Maria Wieman from 1946 to 1976 were used as a research material. The author shows the historical background in which educational radio programmes were made in Poland. The state of kindergarten education after the war and the methodology of music education is also adressed. The paper attempts to present the reconstruction of the formation of music broadcasts for children based on the literature dedicated to the subject, recordings of the broadcasts, and radio documents. The author also wanted to present the profile of Maria Wieman, the brodcast creator. Her methodological and didactic achievements played a key role in forming the modern way of thinking about music education in kindergarten.
EN
This article is an introduction to the artistic profile of a Polish conductor, composer and guitarist Adam Franciszek Epler. This forgotten creative persona left the artistic legacy of compositions and arrangements for mandolin orchestra ensemble. Moreover, he was the first Polish guitarist playing Polish lute music, a founder of the first Polish guitar trio named Lwowskie Trio Gitarowe and a musician in the most popular interwar radio broadcast Wesoła Lwowska Fala. As a composer and conductor of the Orchestra of Mandolin Society “Hejnał” from Lviv, he also took part in numerous radio broadcasts of Polish Radio Lviv. His musical activities, similarly to the entire mandolin heritage in Poland and guitar history in interwar Poland, requires further research, and this article is one of the first contributions to these research topics.
EN
The article consists of two parts. The first examines the impact of the radio on mass communication as well as the way in which this invention was used in the 20th century by governments not only in Europe. The author briefly presents the functions and features thanks to which radio was seen as an attractive medium to disseminate ideas, information and propaganda. Radio used in the process of competing for power is the context in which the author discusses the Polish presidential campaign of 2010. The second part of the article is a case study, an analysis of three selected radio programmes in which politicians present themselves as presidential candidates and seek the votes of citizens.
EN
This article is an introduction to the artistic profile of a Polish conductor, composer and guitarist Adam Franciszek Epler. This forgotten creative persona left the artistic legacy of compositions and arrangements for mandolin orchestra ensemble. Moreover, he was the first Polish guitarist playing Polish lute music, a founder of the first Polish guitar trio named Lwowskie Trio Gitarowe and a musician in the most popular interwar radio broadcast Wesoła Lwowska Fala. As a composer and conductor of the Orchestra of Mandolin Society “Hejnał” from Lviv, he also took part in numerous radio broadcasts of Polish Radio Lviv. His musical activities, similarly to the entire mandolin heritage in Poland and guitar history in interwar Poland, requires further research, and this article is one of the first contributions to these research topics.
EN
Millennium of the Polish State was one of the greatest media campaign in the Polish People’s Republic. The main goal of this paper is to show the content of such programmes in the regional public broadcasting station-Polish Radio Olsztyn. The wide context of this issue based on the content of the radio programme is to be shown.
PL
Tysiąclecie Państwa Polskiego było jedną z największych kampanii medialnych w okresie PRL-u. Artykuł jest analizą zawartości powyższej tematyki na antenie regionalnej Polskiego Radia w Radiu Olsztyn. Jest także próba rozpoznania i omówienia kwestii związanych z antenowymi obchodami.
EN
Apart from auditory impressions, the invisibility of radio messages implies additional stimuli. Phonic works, radio reportages included, stimulate not only the sense of hearing, but also the auditory imagination of their audiences. An artistic radio message may be perceived as successful only if the auditory perception is accompanied by associative images. They are essential for the proper comprehension of messages and identification of characters. The article presents various forms of auditory presentation of characters. Particular individuals may be phonically designated in the utterances made by other people depicted in the reportage, as well as by the reportage makers themselves. The author can also present them formally, using techniques typical for news journalism, or through the use of style, by subjecting the identification proces to the convention. Most often however, the characters remain anonymous and are specified only by the accompanying events.
PL
Niewidzialność przekazu radiowego implikuje dodatkowe wrażenia o charakterze innym niż audialny. Dzieło foniczne, w tym także reportaż radiowy, pobudza nie tylko słuch, ale przede wszystkim wyobraźnię dźwiękową odbiorcy. O sukcesie artystycznego przekazu radiowego można mówić tylko w sytuacji, gdy percepcji słuchowej towarzyszyć będą obrazy skojarzeniowe. Są one niezbędne do odczytania przekazu i właściwej identyfikacji postaci. W artykule zaprezentowano różne sposoby dźwiękowej prezentacji bohaterów. Foniczne oznaczenie postaci może odbyć się poprzez wykorzystanie wypowiedzi innych uczestników reportażu, a także poprzez wypowiedź reportera. Autor może również dokonać formalnej prezentacji, wykorzystując przy tym techniki typowe dla dziennikarstwa informacyjnego lub uciekając się do stylizacji, podporządkowując konwencji identyfikację bohatera. Najczęściej jednak uczestnicy reportażu pozostają anonimowi, dookreślani poprzez okoliczności towarzyszące.
EN
Włodzimierz Sokorski is regarded as one of the most colourful characters associated with the power elite of the Polish People’s Republic, although there are no scientific attempts to verify his real position among politically influential people and his relations with them. The latter could have had a significant impact on the degree of the party apparatus’ interference with the work he was performing on different positions he held. The purpose of the article is to fill in these gaps for the period when Włodzimierz Sokorski was a president of the Radio Committee (1956–72). Basing on the analysis of both archival and printed sources, the author outlines the circumstances related to Sokorski’s appointment to the chairmanship of the Committee together with the importance of his relations with Władysław Gomułka and Zenon Kliszko for his future political career, and the reasons for which he was dismissed from the Committee under Edward Gierek team. A considerable place is devoted to the reflections on President Sokorski’s attitude in crucial moments for the government system (‘Polish months’). On the margin of the article, a problem of personnel purges in the Polish Radio and Television was raised, the largest taking place during his tenure in 1957–59 and in March ’68.
PL
Włodzimierz Sokorski uchodzi za jedną z barwniejszych postaci kojarzonych z elitą władzy PRL, choć brakuje – jak do tej pory – naukowych prób weryfikacji, jaką naprawdę pozycję zajmował w gronie wpływowych politycznie osób i jakie relacje go z nimi łączyły. Te ostatnie mogły mieć znaczący wpływ na stopień ingerencji aparatu partyjnego w pracę na zajmowanych przez niego stanowiskach. Artykuł stawia sobie za cel wypełnienie tych luk w odniesieniu do okresu, kiedy Włodzimierz Sokorski pełnił funkcję prezesa Radiokomitetu (1956–1972). Na podstawie analizy źródeł archiwalnych i już opublikowanych autor zarysował okoliczności związane z powołaniem Sokorskiego na stanowisko, znaczenie relacji, jakie łączyły go z Władysławem Gomułką i Zenonem Kliszką, dla dalszego biegu kariery politycznej oraz powody, dla których został odwołany z Komitetu już za rządów ekipy Edwarda Gierka. Istotne miejsce w tekście zajmują rozważania na temat postawy prezesa Sokorskiego w chwilach przełomowych dla systemu władzy („polskie miesiące”). Na marginesie artykułu poruszono ponadto wątek czystek kadrowych w Polskim Radiu i Telewizji, które największe rozmiary przybrały za jego kadencji w latach 1957–1959 oraz w okresie Marca 1968 r.
EN
The article is devoted to the audio-visual collections created in the years 1957–1975 which reflect the life and activities of the native populace of Koszalin voivodeship. The collections, stored in the tape archives of the Polish Radio Broadcast Centre in Koszalin, constitute for interesting research material, although not free of propaganda. Koszalin voivodeship was, until the second half of the 1970s, within the range of the Polish Radio Broadcast Centre in Koszalin, thus the recording of the audio material, as well as processing and broadcasting were all conducted within a single administrative unit and territorial property of the broadcast centre, as it was in the case of the other 16 broadcast centres of the Polish Radio. The paper emphasises on the role of the Polish Radio in creating the regional identity of the eastern part of West Pomerania, as well as the relations of this region with the rest of the Polish territories. The article provides an overview of the contents of the magnetic tapes along with technical data and the persons responsible for the production and processing of the audio material.
PL
Artykuł poświęcono zbiorom audiowizualnym, które odzwierciedlają życie i działalność ludności rodzimej województwa koszalińskiego, a które powstały w latach 1957–1975. Zbiory te, przechowywane w taśmotece Rozgłośni Polskiego Radia w Koszalinie, stanowią interesujący materiał badawczy, niepozbawiony jednakże akcentów propagandowych. Województwo koszalińskie do połowy lat siedemdziesiątych XX wieku objęte było zasięgiem Rozgłośni Polskiego Radia w Koszalinie, toteż rejestracja materiału dźwiękowego, jego obróbka (montaż) i emisja odbywała się w ramach jednej jednostki administracyjnej i właściwości terytorialnej rozgłośni, na wzór pozostałych 16 rozgłośni Polskiego Radia. Zaakcentowano rolę Polskiego Radia w kształtowaniu tożsamości regionalnej wschodniej części Pomorza Zachodniego, jak i powiązania tego obszaru z pozostałymi ziemiami polskimi. W artykule dokonano przeglądu zawartości taśm magnetycznych wraz z danymi technicznymi oraz osobami odpowiedzialnymi za produkcję materiału dźwiękowego oraz jego montaż.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.