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Półka filmowa 2016 (i trochę 2017)

100%
Tambor A.
Postscriptum Polonistyczne
|
2017
|
issue 1 (19) W kręgu badań językoznawczych
275-288
EN
The article summarises the 2016 film season and mentions a few films that have been released in 2017. The author presents the advantages and disadvantages of certain films regarded as material to Polish culture. The article describes the following movies: Jarocin, po co wolność?, Jestem mordercą, Maria Curie, Ostatnia rodzina, Planeta singli, Powidoki, Smoleńsk, Szczęście świata, Sztuka kochania.
2
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Linguistic Picture of Russia and Russians in Polish Cinema After 1990. Introduction

51%
Skowronek B.
Historyka Studia Metodologiczne
|
2011
|
vol. 41
3

Obrazy Holokaustu w filmach z okresu polskiej szkoły filmowej (1955-1965)

38%
Haltof M.
Kwartalnik Filmowy
|
2012
|
issue 77-78
112-146
EN
The author analyses the ways Holocaust was presented in Polish films that were made during the existence of the Polish Film School. Using the examples of films, the majority of which remains in the shadow of the great „canon” of the Polish school, Haltof attempts to place the image of Holocaust presented in them within the artistic, historical and political context. The author analyses films such as Andrzej Wajda’s Samson, and Generation, Ewa and Czeslaw Petelski’s Barker, Stanislaw Rozewicz’s Birth Certificate, Jerzy Zarzycki’s White Bear, and Andrzej Munk’s The Passenger, as well as two short films: Andrzej Brzozowski’s By the Railway Track, and Janusz Morgenstern’s Ambulance. By analyzing them, the author writes about how ways of connecting and disconnecting the Polish and Jewish fate, the tragedy of children that were victims of the Holocaust, about the attitudes of Poles towards Jews seeking help, and of the film attempts to find the psychological dimension of the relationship between the oppressed and the oppressors.
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