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Podwójne spojrzenie na pewne zdarzenie z przeszłości. O Szpitalu w Cichiniczach Melchiora Wańkowicza i Wrotach Europy Jerzego Wójcika

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Szpulak A.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2019
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vol. 26
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issue 35
117-127
EN
Szpulak Andrzej, Podwójne spojrzenie na pewne zdarzenie z przeszłości. O Szpitalu w Cichiniczach Melchiora Wańkowicza i Wrotach Europy Jerzego Wójcika [Double gaze at an event from the past. About Melchior Wańkowicz’s Hospital in Cichinicze and Jerzy Wójcik’s The Gateway of Europe]. „Images” vol. XXVI, no 35. Poznań 2019. Adam Mickiewicz University Press. Pp. 117–127. ISSN 1731-450X. DOI 10.14746/i.2019.35.06. This text confronts two images of a small episode from the First World War and the struggle of Poland to regain its independence. The literary image, Hospital in Cichinicze, is the story of Melchior Wańkowicz (1926), and the film picture is The Gateaway of Europe by Jerzy Wójcik (1999). The film work was an adaptation of literary material; however, the ways memory is created in the two cases are different. Wańkowicz created a somewhat reporter-like, realistic, non-stereotypical record of events, while Wójcik’s story was more universal and at the same time more rooted in national symbolism.
2
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Mroczne żądło zdegenerowanej natury. Szkic o czarnoromantycznych inspiracjach Róży Wojciecha Smarzowskiego

87%
SZPULAK A.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2016
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vol. 19
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issue 28
265-272
EN
The dark sting of degenerate nature. Sketch of the dark-romantic inspirationsin Wojciech Smarzowski’s Rose The text presents Polish dark romanticism as an important source of inspiration for the images of violence, includ- ing sexual violence, in Wojciech Smarzowskis Rose. The author reveals the mechanisms of this inspiration: visual, dramatic, intellectual, and refers to specific literary texts, from the Romantic era and later, by Antoni Malczewski, Seweryn Goszczyński, Juliusz Słowacki and Włodzimierz Odojewski.
3
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Róża Wojciecha Smarzowskiego – portret miłości kulturowo zakorzenionej

73%
Szpulak A.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2015
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vol. 17
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issue 26
107-118
EN
Róża by Wojciech Smarzowski: Portrait of a Culturally Rooted Love The article presents an interpretation of the love story in Wojciech Smarzowski’s film Róża (2011) in the context of references to culture deeply rooted in the European tradition of representing this theme. It indicates the melodramatic elements presented in this film, as well as the leading role of the myth of romantic love in creating this thread. Clearly visible is a male perspective view of reality in Smarzowski’s film.
PL
Róża by Wojciech Smarzowski: Portrait of a Culturally Rooted Love The article presents an interpretation of the love story in Wojciech Smarzowski’s film Róża (2011) in the context of references to culture deeply rooted in the European tradition of representing this theme. It indicates the melodramatic elements presented in this film, as well as the leading role of the myth of romantic love in creating this thread. Clearly visible is a male perspective view of reality in Smarzowski’s film.
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