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The Prague School on a global scale  : a Coup d’œil from the East

100%
Pilshchikov I.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
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2019
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vol. 80
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issue 3
215-228
EN
This essay compares the evolution of the “Prague doctrine” described in Ondřej Sládek’s The Metamorphoses of Prague School Structural Poetics (2015) with similar developments in literary theory in Eastern Europe (from Russian formalism to the Tartu-Moscow School of Semiotics). The author proposes a transnational approach to the study of the typology and history of literary theories and outlines, in partial agreement with Sládek, several cross-cultural transfers of theoretical concepts and research tools from linguistics to literary theory and structural anthropology and further to semiotics and cultural studies. As an addition to Sládek’s overview of the evolution of structural poetics, this essay points to facts that serve as evidence for a parallel, sometimes interrelated, development of structural poetics and cultural semiotics in the former Czechoslovakia and the former Soviet Union. The author also addresses the issue of the (inter)national character of academic work and the ontological status of terms such as the “French”, “Russian”, “Estonian” and “Czech theories”.
2
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Přicházeli vhod i nevhod: Vančura a Mukařovský, Vančura a Peroutka

72%
Holý J.
Česká literatura (Czech Literature)
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2021
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vol. 69
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issue 5
622-634
EN
This article deals with the aesthetic views that Vladislav Vančura formulated in the late 1920s and early 1930s. Vančura sympathetically followed the emergence of Prague structuralism and its concepts. The dominant role of the aesthetic function in art met his requirement for “poeticity”, while in Vančura’s works the structuralists found suitable material to support their concepts. Jan Mukařovský wrote about Vančura in a positive light not only in the 1930s and 1940s, but also later on, when Vančura’s works found themselves in potential conflict with the demands of “realism” and “the people”. An example of the reverse case, i.e. a fundamental misunderstanding based on different ideas about literature, can be found in the criticism of Vančura’s novel The Last Judgement by Ferdinand Peroutka.
3
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Poetika a estetika českého strukturalismu v pojetí Herty Schmidové

58%
Jankovič M.
Česká literatura (Czech Literature)
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2012
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vol. 60
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issue 5
737-754
EN
3_The final study defends references to the specific nature of the work of art, as found e.g. in Czech structuralism, against levelling tendencies in present-day culturology. Works of art and their interpretation may effectively contend with conventional stereotypes that impoverish man and his culture.
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