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  1. 2 Tematy i Konteksty

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  1. 1 Banaś-Korniak T.

  2. 1 Rusnak R.

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  1. 2 2019

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Pieśń o chwale Rzeczypospolitej Obojga Narodów. Uwagi o tradycji genologicznej Proporca albo Hołdu pruskiego Jana Kochanowskiego

100%
Banaś-Korniak T.
Tematy i Konteksty
|
2019
|
vol. 14
|
issue 9
170-184
EN
The aim of the paper is to show that Jan Kochanowski’s Proporzec albo Hołd Pruski, a work of literature considered for a long time to be poor in artistic terms, refers to the convention of a triumphant song of victory, namely the epinikion. It is a literary form with ancient roots. The poet of Czarnolas, in his original way, combined the convention of epinikion with verse-driven canvassing speech (on the border between genus deliberativum and genus demonstrativum), using a number of arguments in favour of implementing the resolutions of the Sejm (Parliament Assembly) of Lublin of 1569. The work consistently develops one thread – the struggle with the Teutonic Knights, which is connected with the selective presentation of the historical images of the Polish rulers’ military campaigns for Pomerania and Duchy of Prussia. The consistency of the presented historical descriptions with the ideological content, expressive “speech decorations” and faithfulness to the conventions of the sixteenth-century political poetry make the literary artistry of Proporzec… impressive and standing out with its artistry against the background of occasional Old Polish poems.
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Idea unii polsko-litewskiej w twórczości Jana Kochanowskiego

80%
Rusnak R.
Tematy i Konteksty
|
2019
|
vol. 14
|
issue 9
158-169
EN
The paper takes a common view of those works by Jan Kochanowski which reflect the relationship between the author and the act of the Polish-Lithuanian Union established on 1 July 1569 in Lublin. The only text that is the poet’s direct reaction to the event in question is Proporzec or Hołd pruski, which does not mean that there are no other works of this type by Kochanowski. The examples are the poem Zgoda / Concordia, Fragment XXI (Battle with Amurat at Varna), the Latin Ode IV (Ad Concordiam) or Fraszka II 107 (Na most warszewski / On the Bridge of Warsaw).
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