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EN
Britishness in the culture of Great Britain is an ambivalent concept. On the one hand, it is associated with the Victorian or imperial ideal of a great aristocratic and triumphant Britain, and on the other hand it may be connected with defiance, which is of key importance in the British tradition of the culture. The authoress, who focuses on Lindsay Anderson's film 'If...' and Derek Jarman's 'The Last of England', examines the attitude of the directors (national identity has always been a central theme of their filmmaking) towards Britishness. She argues that although the two bitterly criticize Britain, they are at the same time patriots and traditionalists longing for paradise lost, a British Arcadia. Thus, they do not criticize Britain or its tradition but what has been done with her. Their version of Britishness is opposed to the official myth - their Britain is open to all her citizens, and free from imperial ambitions and consumer temptations.
Vojenská história
|
2019
|
vol. 23
|
issue 2
93 - 115
EN
The author's published contribution represents and interprets three archival documents regarding a rebellion of the reserve infantry battalion 71 in the occupied Kragujevac in 1918. In terms of composition, the contribution is divided in a broader introduction, the three documents and an overview of the used sources and literature. In the relatively extensive first part, the author handles critically several issues related to the state of research and knowledge of the said rebellion. In particular, he assesses critically the work by Marián Hronský (Rebellion of the Slovak Soldiers In Kragujevac), issued in 1988.Even if several critical observations are valid, it is also necessary to consider the period when the work in question originated as well as the fact that this is basically a book of popular science. The first part of the contribution exceeds the scope of editorial introduction to the three documents which are presented as Annexes 1, 2 and 3, handling a wider scope of the issue concerned, in particular the historiographical processing of the rebellion, stories and actions of individual actors of the rebellion, executions and the relationship of the historical event and politics, etc. In conclusion of the contribution, three documents related to the rebellion are published. This is firstly the transcription of the dateless report of the first lieutenant Erwin Deutsch on the events (1), transcription of the testimony of the sergeant Anton Jakubík from 1922 (2) and finally the report of the reserve battalion, Lt. Col. A. Marx of 3 June 1918 (3).
3
88%
PL
The article describes the most important problems of philosophy of Albert Camus: life as the experience of absurdity, and rebellion as a human reaction to it. It also depicts the relations between that postulates and explains Camus’s ways of reasoning and argumentation. Furthermore, the article shows Camus’s answers to the basic philosophical questions. It proves that the Nobel prize winner was not only a writer, but a philosopher and an existentialist as well.  
EN
The main aim of the text is the presentation of Albert Camus’ concept of rebellion. The French thinker’s theory of rebellion is not so simple as it appears at first sight. His language is full of metaphors and ambiguities; it has rather literary form than philosophical structure. That’s why Camus’ texts are not easy to interpret, especially his Rebellious Man. The article shows that a fundamental enemy of a human rebellion (that is of man who disagrees with pain and injustice in the world) is the idea of history, especially as it is seen by Hegel and hegelians. Hegel’s concept of history grasps human beings as subordinated or dominated by historical processes, and that way history deprives man of freedom. In opposition to that, for Camus the most importance values are freedom of existence and human solidarity; whereby men are able to create true community.
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