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EN
After presenting the formal and legal position of communal museums, the author analyzes trumps and weaknesses of this kind of museum institutions in the context of the needs and interests of modern cultural tourists. The performance and cooperation between founding bodies, museums and tourism organizers, and all the problems that arise on the way, are thoroughly investigated in the case study of the communal museum in Trzemeszno.
EN
The value of collections to museums is not merely in using them for display, research and promotion, but also in establishing communication with public, as well as in the construction of meaning through collection and interpretation of collections. Conventionally, museums consist of buildings, collections, experts, and public while others argue that museum should be better defined by territory, heritage, memory, and population. Museum should not limit itself inside the physical “building” of a museum but it should further expand to cover the whole territory. The scope of collections is also extended to reach both tangible and intangible “heritage” within this territory, including natural landscapes, geological features, historical sites, trade activities, etc. The meaning of such heritage exists in the local residents’ lives and memories and is shaped in a bottom-up approach via collective participation by these residents. Museum collections are subject to constant re-interpretation by ever-changing groups of museum visitors and professionals, as well as by residents and staff members. The contexts in which collections are presented and viewed can fluctuate with time and place. This paper will take the TOGO Rural Art Museum in Taiwan as a case study to explore how museum collections can be re-defined and how museum collections are to make connections with people.
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