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THE MUSIC-MAKING OF THE ROMA IN HUNGARY: PAST AND PRESENT (Muzyka Romow na Wegrzech: przeszłosc i terazniejszosc)

100%

Kovalcsik K.

Studia Romologica

2010

vol. 3

183-194

(Title in Roma language: E Rromenqeri muzika and-o Ungritko Them: Nakhlitko aj akanitko). The paper is an overview of the music making of the Roma in Hungary from the second half of the 18th century to 2005. The author divides the historical genres performed by Roma into the so-called Gypsy music played by Gypsy bands for outsiders and the Romani folk music for internal using of the Romani communities. The performers of the Gypsy music came mostly from Romungro families and their music served as the national music for the Hungarians in the 18th and 19th centuries to be turned into a part of the popular music in the 20th century. The music of the Romani communities, the folk music, is mostly not instrumental and in the case of the dance songs the performers produce vocal substitutes of the orchestral sound. A new chapter of the Romani music making has started from the 1980s with the first success of the Romani emancipation movement. The Romani rap music from 1997 and the Romani pop music from 2000 have formed on the urban scene. In the villages, the Romani ballroom music has been fashionable since the middle of the 1990s. The author emphasizes the growing internationalization of the most recent music played by the Hungarian Roma.

MRE DEWLESKE GILAWAW ME. ROMA MUSIC AND IDENTITY IN PENTECOSTAL ACTIVITY (Mre Dewleske gilawaw me. Muzyka i tozsamosc Cyganow w ruchu zielonoswiatkowym)

80%

Janowiak-Janik M.

Studia Romologica

2011

vol. 4

153-167

(Title in Roma language: Mre Devlesqe gilavav me. E Rromenqero bagaipen, basalipen aj identiteta dr-o miskaipen e pokaime khangerenqere). The article refers to the conversion of Gypsies in Pentecostal societies. Since the day French pastor Clement Le Cossec converted the Manush Gypsies in the 1950s, the Pentecostal movement has gained popularity among Roma in Europe and both Americas. The most appealing Pentecostal idea for the Gypsies is the necessity to overcome ethnic barriers. Converted Roma people gain the opportunity to become members of society without being labeled as outcasts, or pushed away as a result of ethnic bias. Polish peculiarity of the problem has been shown on the example of a Gypsy community in Bystrzyca Klodzka, made up of Carpathian Gypsies. The author describes the community through Gypsy religious music, a means of expressing their religious and ethnic identity through unique musical instruments, style and performance.

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2 Studia Romologica

1 Janowiak-Janik M.

1 Kovalcsik K.

1 2011

1 2010

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THE MUSIC-MAKING OF THE ROMA IN HUNGARY: PAST AND PRESENT (Muzyka Romow na Wegrzech: przeszłosc i terazniejszosc)

MRE DEWLESKE GILAWAW ME. ROMA MUSIC AND IDENTITY IN PENTECOSTAL ACTIVITY (Mre Dewleske gilawaw me. Muzyka i tozsamosc Cyganow w ruchu zielonoswiatkowym)