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PROBLEMS OF PRESERVATION, PROTECTION AND RESTORATION OF CULTURAL HERITAGE OBJECTS AND MUSEUM COLLECTIONS IN THE CONDITIONS OF WAR

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Pawłowska A., Pabich M., Ivashko O., Dmytrenko A., Kozłowski T., Bigaj P.
Muzeológia a kultúrne dedičstvo
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2023
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vol. 11
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issue 2
17-40
EN
The article is devoted to the problem of the preservation and restoration of objects of cultural heritage – monuments and museum collections – in the conditions of war. The article’s analysis is supplemented by a brief overview of how mankind has approached the protection of its material cultural heritage in historical times. According to data verified by UNESCO, as of November 21, 2022, 218 sites have been damaged in Ukraine since the start of the war on February 24, including 95 religious sites, 17 museums, 78 buildings of historical and/or artistic significance, 18 monuments and 10 libraries. The experience of the ongoing Russian–Ukrainian war has once again proven the insecurity of cultural heritage sites and museums in the face of conflict. The authors analysed the Ukrainian experience of protecting monuments, the effectiveness of these efforts, and various ways of preserving the cultural heritage of peoples during wars. The discussion closes with conclusions on possible remedies for the destruction of material cultural objects in Ukraine.
2

PRACTICES OF USING RAPID RESPONSE COLLECTING BY UKRAINIAN MUSEUMS IN WARTIME

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Hudoshnyk O., Krupskyi O.
Muzeológia a kultúrne dedičstvo
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2023
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vol. 11
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issue 2
5-16
EN
Social activity and public involvement in participatory practices, and the creation of civic spaces on the basis of the museum have become relevant for the formation of the concept of a modern museum. Such practices are especially important in times of crisis, when history is being documented online and the Rapid Response Collecting (RRC) method is becoming widespread. Modern war discourse requires the newest forms of archiving and description, because the recording of history is complicated by the volatility of the military situation, the movement of large flows of displaced persons and the departure of citizens abroad. The Ukrainian experience of documenting the war is examined in the article taking the example of the ATO Museum (an acronym for anti-terrorist operation) in Dnipro and the online Museum of Civilian Voices. It is important for us to pay attention to the national peculiarities of the codification of collective memory through individual experience and life stories during the full-scale military aggression against Ukraine, and to show the newest forms of presenting the evidence of war.
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