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Koncept věci v ruském formalismu a Pražské škole

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Mathauser Z.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
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2008
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vol. 69
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issue 1-2
25-34
EN
The cult of the thing forced itself into the spotlight in the avant-garde through all possible routes, including the denotation of the text genre as a thing. In particular, this was how the Russian avant-garde and Russian literary criticism proclaimed their renunciation of the high, ecstatic concept of art. But the roots of the prolific methods of Russian formalism and Czech structuralism were simultaneously being found in Husserl's phenomenology. In the Czech modernist tradition, the general aesthetic concept of the work-thing as one of the most important vantage points of a work of art was more effective than the thing-genre, and it has remained meaningful even up to now. In Jan Mukarovsky's aesthetics, the concept of the work-thing underwent a radical transformation, whose results are an extraordinary contribution to the study of aesthetics. Parallel to the change in the conception of the work-thing, the strengthening of the accent on the thing-related nature of the poetic word also occurred in Mukarovsky's works on poetic expression, which again created a common denominator with his writings on the work-thing. Some of Mukarovsky's thoughts on the 'work-thing - work-sign - aesthetic object - artifact' are part of his envisioning of numerous new ideas in aesthetics internationally.
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THEORETICAL INITIATIVES IN SLOVAK LITERARY SCIENCE (Teoreticke iniciativy v slovenskej literarnej vede dvadsiateho storocia)

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Zajac P.
Slovak Review. A Review of World Literature Research
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2008
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vol. 17
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issue Spec. ed.
99-109
EN
The author of the study explores the dynamics of the peripeties in the developments in literary-scientific thinking in broader contexts of cultural life in Slovakia. He describes the individual personalities and points out the uniqueness of their contributions to the literary scientific discourse, as well as Slovak cultural milieu while depicting them as phenomena transcending national and cultural boundaries as well as boundaries among disciplines. The contexts of reflections between the poles of modernity and conservatism create: abstract art, visual avant-garde, Russian formalism, Viennese neo-positivism, psychoanalysis, structuralism and semiotics. The author outlines the semiotic conception of language and a whole range of transtextuality (intertextuality, paratextuality, metatextuality, architextuality and hypertextuality), metonymy and metaphor, the problem of the archeology of cultural memory, post-structuralism and pulsation aesthetics.
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