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Slavia Orientalis
|
2008
|
vol. 57
|
issue 2
261-272
EN
Aleksei Mikhailovich Remizov (1877-1957) is a writer of big literary oeuvre, where he contained his own practical philosophy. He lived in specific period, what prefered individualism of author and philosophical reflection. What is more, the symbol was the main and exellent way of artistic expression. The general question of the period was to propagate universal values. That is why, the writers, also Remizov, were interested in folk culture, where the values were still alive. Remizov was looking for his inspiration just in folk artistic work. The analysis of the fairy tale 'Zaichik Ivanych' show the truth about the world, live and human, what in filling of crisis the modernistic author contained in his tale. All of the heros play their own specific role in symbolic layer of the work. To sum up, the right interpretation of the fairy tale is possible only in context of the cultural phenomena of the period and in context of author's biography.
EN
This article focuses on two masterpieces of Russian modernism that foreground Moscow and Petersburg, two urban spaces that are well-rooted in collective and individual local consciousness: Master and Margarita by Michail Bulgakov and Petersburg by Andrei Bely. Both cities are portrayed in the turbulent political context of early 20th century as real borders between the European civilization on the one hand and the worst barbarity on the other. The author ś aim is to compare the strategies of both key representatives of Russian modernism whose approaches to the same task is rather different. They project dystopic worlds whose inhabitants have lost faith in art, religion and science and where history is only a bad dream, from which the individual can wake up no longer. The article identifies concepts used to explore these urban spaces, emphasizing the auto-referential style of both authors.
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