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in the keywords:  Renaissance, Book of Psalms, protestant music, God’s Name
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Isabelle Garnier, starting from the recurrence of the holy name « grand Dieu » to refer to God,compares La Noue’s paraphrase to Marot’s and Baïf’s texts, and defi nes it on both theologicaland poetical levels as a kind of musical epexegesis, which leaded the singer to the core ofreformed faith.
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