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The aim of the article is a rereading of the falconry motif in Roberto Bolaño’s novel Nocturno de Chile, based on an analysis of the critical reception existing so far. The study combines the traditional methods of narratology with a close-reading-orientated approach on the textual, narrative and intertextual level. As a result, the formal aspect of the novel, based on the techniques of incongruity and indetermination, is seen as a narrative tool to discredit the fallacies of the narrator’s monologue. By positioning the allegoric and symbolic readings of the motif in the context of the narrative technique, it seems that the main focus of the novel is a deconstruction of the testimonial mode of enunciation and, as a consequence, a critical revaluation of the actual debate on the history and memory in Chile and Latin America.
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