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  1. 2 Studia Norwidiana

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  1. 2 Chlebowski P.

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  1. 1 2021

  2. 1 2019

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The eagle from Rzecz o wolności słowa

100%
Chlebowski P.
Studia Norwidiana
|
2019
|
vol. 37 English Version
199-214
EN
The article attempts at explaining the motif of the eagle which appears in the final Song XIV in the poem Rzecz o wolności słowa. Previous scholars have unambiguously associated this symbolic vision with the apocalypse and with the figure of St John. The reading of Volney’s Travels through Syria and Egypt, supported by the source description of Palmyra’s ruins from Robert Wood’s The Ruines of Palmyra, otherwise Tedmor, in the Desert (1753), points rather to an archaeological source of Norwid’s imagery – the image of the ruins of the Palmyrene Temple of the Sun (Baal).
2

Orzeł z Rzeczy o wolności słowa

100%
Chlebowski P.
Studia Norwidiana
|
2019
|
vol. 37
201-216
PL
Artykuł przynosi próbę wyjaśnienia motywu orła, który pojawia się w finalnej XIV pieśni poematu Rzeczy o wolności słowa. Dotąd w literaturze przedmiotu tę symboliczną wizję łączono jednoznacznie z apokalipsą oraz z postacią św. Jana. Lektura Volney’owskiej Podróży do Syrii i Egiptu, wspartej źródłowym dla niej opisem ruin Palmiry z dzieła Roberta Wooda The Ruines of Palmyra otherwise Tedmor in the Desert (1753), wskazuje raczej na archeologiczne źródło Norwidowskiego obrazowania: obraz ruin palmireńskiej Świątyni Słońca (Baala).
EN
The article attempts at explaining the motif of the eagle which appears in the final Song XIV in the poem Rzecz o wolności słowa. Previous scholars have unambiguously associated this symbolic vision with the apocalypse and with the figure of St John. The reading of Volney’s Travels through Syria and Egypt, supported by the source description of Palmyra’s ruins from Robert Wood’s The Ruines of Palmyra, otherwise Tedmor, in the Desert (1753), points rather to an archaeological source of Norwid’s imagery – the image of the ruins of the Palmyrene Temple of the Sun (Baal).
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