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  1. 1 ESPES

  2. 1 Musicologica Slovaca

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  1. 1 Kačic L.

  2. 1 Kopas L.

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  1. 1 2016

  2. 1 2012

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UMENIE VERZUS SKUTOČNOSŤ V BAROKOVEJ JEZUITSKEJ ŠKOLSKEJ DRÁME ŠVEHLA

100%
Kopas L.
ESPES
|
2016
|
vol. 5
|
issue 2
6 – 12
EN
The object of the paper is a reflexion of Aristotle ́s concept of mimesis as an artistic imitation of reality in Baroque Jesuit tragedy of Trnava provenance called Švehla. The author aims to demonstrate how the personality of Ján Švehla is artistically captured in concerned school drama in historical context. It is based on comparison of Latin periochis of tragedy Švehla and available historiographical period source – the historical source text from the thirty first Bonfini ́s Decades of Hungarian History.
2

HUDBA V ŠKOLSKEJ HRE PIARISTOV NA SLOVENSKU V 17. A 18. STOROČÍ

86%
Kačic L.
Musicologica Slovaca
|
2012
|
vol. 3 (29)
|
issue 2
165 - 194
EN
The article addresses the question, hitherto very little studied in Slovakia, of the Piarist theatre and the part played in it by music. The Piarist school drama, while it has a number of features in common with that of the Jesuits, also differs from the latter in several respects. There is not only a wider thematic scope and a greater stress on secular themes but also a different structure of the school drama in detail. We take as our starting point the relevant passages concerning drama in Vita poetica (1693), an authoritative textbook on poetics by Fr. Lucas Mösch a S. Edmundo SchP. In our text we provide a concise analysis, based on primary and secondary sources, of the level of the Piarist theatre, seen in terms of the musical component, in the individual colleges (the most important of which were in Podolínec, Prievidza and Nitra). A number of performances must have attained an excellent musically standard. In the beginning the Piarists (like the Jesuits) had prominent musicians collaborating in their dramas. However, from the 1770s the musical component of the Piarist theatre fell into gradual decay.
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