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PRAMENE A FORMY PRIMITIVIZMU VO VÝTVARNOM UMENÍ PRVEJ POLOVICE 20. STOROČIA NA SLOVENSKU

100%
Migašová J.
ESPES
|
2012
|
vol. 1
|
issue 1
49 – 59
EN
The study deals with a phenomenon of primitivism in fine art of the first three decades of 20th century in Europe and Slovakia. The Slovak after-war fine art stylistically stemmed from two remarkable centres – from Budapest academic environment and from Prague cultural environment. On the basis of examining contemporary documents, the paper therefore proves Hungarian and Czech intellectual environment served the ideas of primitivism into Slovak fine art practice and science. The paper is based on the knowledge, that primitivism is a dynamic phenomenon and artistic expressions of primitivism come into Slovakia only it is second development stage – in 1920’s. This fact significantly influenced character of fine art modernity in Kosice and folk-oriented modernity of Prague school.
2
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POSTMODERNÁ PRIMITÍVNOSŤ V OKRUHU SLOVENSKÉHO VÝTVARNÉHO UMENIA

100%
Migašová J.
ESPES
|
2013
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vol. 2
|
issue 2
30 – 40
EN
The paper is the outcome of search for various forms of primitivism tendency in 20th century fine art in Slovakia. The development period of art called postmodernity is at the same time strong actualisation of the culture primitivism. It occurs not only as a type of “new wildness” painting in style level, but also as a sign or sign group which refers to “pre-cultural” or “counter-civilisation” ways of life in semantic sphere. Specific feature of Slovak postmodern primitivism is an artistic evocation of the Paradise and utopia images. From the primitivism point of view, there are presented contextually connected motifs of Arcadia, utopic lands, “lost Paradise” and “lost childhood”.
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V ZÁUJME STAROSTLIVOSTI O "NAŠE" AVANTGARDY: ESTETICKÉ, AXIOLOGICKÉ A UMELECKO-TEORETICKÉ POLOHY KRITIČKY A KUNSTHISTORIČKY IVY MOJŽIŠOVEJ

88%
Migašová J.
ESPES
|
2015
|
vol. 4
|
issue 2
60 – 68
EN
The paper represents analytic evaluation of key works of Slovak critic, art-theoretician and art-historian – Iva Mojžišová. The study contains an analysis of its partial problems – the meaning and the function of art-critique in Slovakia in the 20th century and nature of so called “authenticity” as key criterion of critical reflexions of fine art.
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