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  1. 2 ESPES

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  1. 1 Fulka V.

  2. 1 Juhaščiková A.

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  1. 1 2020

  2. 1 2017

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HUDOBNÁ TVORBA A AKTIVITY SLOVENSKÝCH HUDOBNÝCH SKLADATEĽOV V EMIGRÁCII A ICH REFLEXIA V SLOVENSKEJ MUZIKOLÓGII

100%
Juhaščiková A.
ESPES
|
2017
|
vol. 6
|
issue 1
22 – 28
EN
The study deals with music works and art activities of Slovak music composers in emigration. The main focus is on the revealing the answers on ˊifˊ and ˊhowˊ are the works and activities reflected in the theoretical works of Slovak musicology and aesthetics. The analysis of the primary and secondary sources is aimed to reveal the measure of influence of the composers ́ leave on the theoretical works written about them – either negative, positive or silencing (ignorance, overlooking, etc.). The objective is to draw the attention on information gaps in reflection of activities and works of these composers as well as in common knowledge on the personalities and their input into Slovak music culture.
2
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RECEPCIA ESTETICKÉHO MYSLENIA THEODORA W. ADORNA V ČESKEJ A SLOVENSKEJ MUZIKOLÓGII V 60. –80. ROKOCH 20. STOROČIA

88%
Fulka V.
ESPES
|
2020
|
vol. 9
|
issue 1
36 - 48
EN
In the1960s, texts by the prominent German philosopher and musicologist Theodor W. Adorno were translated into the Czech and Slovak language. This was only possible due to the more relaxed social and political atmosphere of those years. The translated essays were published in professionally-oriented periodicals. This paper is aimed to map and evaluate the reception of Adorno’s translated works in Czechoslovakia. Although these texts embraced above all Adorno’s work in the sociology of philosophy, aesthetics of literature and musicology, this paper is mainly focused on Adorno’s musicological texts. Albeit mostly regarded as an original and extremely versatile author in Czechoslovakia, Adorno was also criticised on the background of Marxist-Leninist philosophy. In order to evaluate the reception of Adorno’s ideas in the Czech and Slovak environment, it is methodologically necessary to adopt a broader aesthetic-philosophical perspective that enables us to account for Adorno’s endorsement of the Marxist philosophy pursued at Frankfurt School of Philosophy.
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