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EN
The article is devoted to Johannes Celscher, composer absent from modern music lexicons, who lived at the turn of 16th and 17th centuries. Several new data are reconstructed, such as the composer's origin (Spisská Nová Ves), places where he studied (Gdansk, Königsberg) and worked: at Chancellor's of Lithuania court, as a cantor in Kwidzyn and as a city of Torun composer. His compositions contained in prints from Königsberg and Torun are described, as well as those preserved in manuscripts; among them the only fully preserved is a 6-part Mass, a parody of the 6-voice motet by Orlando di Lasso. Comparisons between Celscher's sacred and secular works lead to the assessment of the significance of the composer and his works.
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2020
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vol. 68
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issue 4
635 – 665
EN
The study deals with the situation and activities of Ruthenians and Ukrainians in the Spiš region in 1945–1989. The introductory parts of the study deal with two events that particularly affected the life of Ruthenians and Ukrainians. It was an option to the Soviet Union in 1947 and the abolition of the Greek Catholic Church in 1950. The study also deals with the relationship of Ruthenians and Ukrainians with the majority and their employment. A considerable part of the study is also devoted to the education and culture of Ruthenians and Ukrainians, which were significantly influenced by Communist power interventions. The thesis tries to point out the specifics of the Spiš Ruthenians and Ukrainians and a certain difference in their historical development compared to Ruthenians and Ukrainians in Šariš and Zemplín.
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