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  1. 2 Musicologica Slovaca

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  1. 2 Garajová V.

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  1. 1 2022

  2. 1 2021

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1

REPERTOÁR STREDOVEKÉHO OFÍCIA NOTOVANÝCH FRAGMENTOV ŠTÁTNEHO ARCHÍVU TRENČÍN

100%
Garajová V.
Musicologica Slovaca
|
2021
|
vol. 12 (38)
|
issue 1
76 – 104
EN
Hundreds of fragmentary notated manuscripts have survived in the territory of Slovakia. Medieval fragments from the eleventh to the fifteenth centuries are deposited in several Slovak archives, libraries, and museums. One of the archives that house a large number of notated fragments is the State Archive in Trenčín. During our music historical field research in this archive, we processed twenty-two notated medieval manuscripts in total. We analysed eleven fragments of antiphonaries, eight graduals, one missal, one breviary, and one fragment whose contents we did not manage to identify because it was severely damaged. Sixteen fragments are notated in Bohemian notation, which makes the State Archive in Trenčín the archive with the largest number of medieval fragments with this system of notation. This study aims for an in depth musical and liturgical analysis of the medieval office repertoire recorded in the fragments, identified in an interdisciplinary codicological palaeographic and music-palaeographic research to have belonged to a single liturgical codex which has unfortunately not survived in its entirety.
2

TEMNÉ HODINKY „TENEBRAE“ NOVOOBJAVENÉHO FRAGMENTU V ŠTÁTNOM ARCHÍVE TRENČÍN

86%
Garajová V.
Musicologica Slovaca
|
2022
|
vol. 13 (39)
|
issue 1
89 - 113
EN
During source research in 2021, a medieval notated fragment was discovered, which currently forms the upper cover of a book of accounts, Regestum pecuniarum ecclesiae xendochii et orphanorum, of 1607. The State Archive in Trenčín holds a relatively large number of extant medieval notated manuscripts. In total, the archive has preserved twenty-two, along with the newly discovered fragment twenty-three, notated manuscript fragments, seventeen of which contain Bohemian notation. Among the fragments notated with Bohemian notation, six fragments were identified as having originated from a single, today unfortunately incomplete, liturgical codex. The newly discovered fragment also belongs to this group. The aim of this study is the musical-liturgical and music-palaeographic analysis of this newly discovered fragment.
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