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Before the 'Voices in the Dark' reverberated. Or, on relations between texts by a single author. Or, to and fro

100%
Piekarski I.
Teksty Drugie (Second Texts)
|
2006
|
issue 5(101)
149-170
EN
A two-part essay, split into a bibliographical and an interpretative section. The first section determines the date Julian Stryjkowski made his literary debut, basing upon the search query and the writer's utterances, and discusses some of his hitherto-unknown stories dating back to the pre-war period. Part two is a quest for terminology and methodology proving adequate to the autobiographical and monolithic nature of Stryjkowski's output. It attempts at grasping the interrelations between individual works by the author of 'Glosy w ciemnosci' (Voices in the Dark) and outlining a comprehensive self-intertextual perspective.
2

THE FALSE MESSIAH. ON ONE JEWISH TOPOS IN JULIAN STRYJKOWSKI'S LITERARY ACTIVITY

100%
Piekarski I.
Pamiętnik Literacki
|
2008
|
vol. 99
|
issue 2
51-88
EN
The study on the false messiah is a presentation of Julian Stryjkowski's literary activity through one literary prism, and simultaneously an attempt at approaching its most important context, namely Jewish literature, theology, and culture. The first part of the paper is devoted to specifying the border character of Stryjkowski's writings. It also shows the richness of messiah topics in XX century Jewish literature as well as the essence and history of Jewish messianism. The second part of the paper is interpretative. The collected material allows to formulate the following conclusions: 1) the false messiah is the meeting point for all important plots of Stryjkowski's writings; 2) the intertextual dialogue is kept mainly with Jewish literature and culture; 3) the messianism, in the writer's view, always leads to a failure, and in the final analysis contributes to a man's constraint, and even to a totalitarian captivation.
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