Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 9

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Samson
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Zagadkowe relacje pomiędzy bohaterami sagi o Samsonie. Analiza wybranych elementów Sdz 13-16

100%
Jędrzejczak A.
Studia Gdańskie
|
2019
|
issue 44
15-28
PL
Saga o Samsonie jest oryginalną częścią Biblii Hebrajskiej, w której licznie występują niedopowiedzenia, zagadki i stwierdzenia nie do końca zgodne z prawdą. Kolejni bohaterowie zakrywają przed sobą istotne wiadomości, a główny bohater igra ze swoimi przeciwnikami opowiadając im zagadki. Celem przedkładanego artykułu jest wyszczególnić kolejne elementy, które składają się na narrację o Samsonie i stanowią o enigmatyczności całego opowiadania. Analiza wybranych elementów ma uzmysłowić Czytelnikowi, że tajemniczość sagi o Samsonie nie zależy tylko od zagadek konstruowanych przez głównego bohatera, ale także od relacji pomiędzy jego rodzicami i aniołem Pańskim.
EN
The Samson saga is an original part of the Hebrew Bible in which numerous understatements, puzzles and statements far from the truth appear. Successive heroes hide important information from one another, while the principal figure plays with his opponents by telling them puzzles. The main aim of this article is specify the successive elements which make up the narrative and which give the story as a whole its enigmatic character. The analysis of selected elements is intended to make the reader aware that the enigma of the Samson saga rests not only on the puzzles constructed by the principal figure, but also on the relationship between his parents and the angel of God.
2
Publication available in full text mode
Content available

Erik Eynikel - Tobias Nicklas (ed.), Samson: Hero or Fool? The Many Faces of Samson (Themes in Biblical Narrative 17; Leiden – Boston: Brill 2014)

94%
Rzepka B.
The Biblical Annals
|
2016
|
vol. 6
|
issue 2
281-288
IT
Book review: Erik Eynikel - Tobias Nicklas (ed.), Samson: Hero or Fool? The Many Faces of Samson (Themes in Biblical Narrative 17; Leiden – Boston: Brill 2014). Pp. X+244. € 103.00. ISBN 978-90-04-26217-1
3
Publication available in full text mode
Content available

Erik Eynikel – Tobias Nicklas (eds.), Samson: Hero or Fool? The Many Faces of Samson (Leiden – Boston, MA: Brill 2014)

94%
Stefański J.
The Biblical Annals
|
2017
|
vol. 7
|
issue 2
281-285
EN
Book review:  Erik Eynikel – Tobias Nicklas (eds.), Samson: Hero or Fool? The Many Faces of Samson (Leiden – Boston, MA: Brill 2014). Pp. 244. €113. ISBN 978-90-04-26217-1
4
Publication available in full text mode
Content available

Nazireo dal grembo materno: la finalità e i tratti particolari del racconto in Gdc 13 alla luce dell’analisi narrativa

84%
Rzepka B.
The Biblical Annals
|
2015
|
vol. 5
|
issue 2
351-374
EN
The judge and savior of Israel in the “cycle of Samson” lacks the traits usually attributed to these figures: rather than deliver Israel, Samson is pursuing his own personal vendetta. In addition, the story of his birth (Judges 13) not only disrupts the habitual pattern in the stories of the various judges (the corruption of the Israelites, the description of the oppressor, then the cry of the people and finally the intervention God to raise up the savior), but it also creates a strong contrast with the entire cycle where his figure is underlined, over and above any religious component. This study stems from an attempt to discover the particular traits and purpose of such an unusual and extraordinary story as Jud 13. The work consists of five parts, and with regard to the exegetical method, the analysis of the text follows the synchronic criteria of narrative analysis; preliminary considerations, temporal indications, study of the performance of plots and purpose of the story. In conclusion, a few titles incorporating the most significant aspects of the story, which emerged during the analysis are presented.
IT
The judge and savior of Israel in the “cycle of Samson” lacks the traits usually attributed to these figures: rather than deliver Israel, Samson is pursuing his own personal vendetta. In addition, the story of his birth (Judges 13) not only disrupts the habitual pattern in the stories of the various judges (the corruption of the Israelites, the description of the oppressor, then the cry of the people and finally the intervention God to raise up the savior), but it also creates a strong contrast with the entire cycle where his figure is underlined, over and above any religious component. This study stems from an attempt to discover the particular traits and purpose of such an unusual and extraordinary story as Jud 13.  The work consists of five parts, and with regard to the exegetical method, the analysis of the text follows the synchronic criteria of narrative analysis; preliminary considerations, temporal indications, study of the performance of plots and purpose of the story. In conclusion, a few titles incorporating the most significant aspects of the story, which emerged during the analysis are presented.
5
Publication available in full text mode
Content available

„Niewieściuch głupi” czy Boży siłacz? O poetyckim obrazie Samsona w utworach Wacława Potockiego

67%
Szczepański J.
Meluzyna. Dawna Literatura i Kultura
|
2020
|
vol. 2 (13)
5-23
EN
The paper focuses on biblical references to Samson (chapters 13–16 in the Book of Judges) in the Wacław Potocki’s (1622–1686) works. The author discusses the religious and cultural background, that could have influenced the poet’s biblical erudition. Moreover, he presents some examples of cultural reception of this motif. The analysis of poems referring to Samson shows Potocki’s attitude to the Israelite’s hero. The poet questions his superhuman strength, criticizes thoughtlessness and excessive trust yet he finds some traits that he can identify with. The author of this article determines the frequency of use of particular episodes of Samson’s story. The breakdown reveals a diversity of subject matter in the analyzed poems and innovative approaches to some literary motifs.
6
Publication available in full text mode
Content available

Wybrane motywy biblijne z Ksiąg Jozuego i Sędziów w Godzinkach o Niepokalanym Poczęciu Najświętszej Maryi Panny

52%
Ziaja K.
Ruch Biblijny i Liturgiczny
|
2010
|
vol. 63
|
issue 1
EN
The aim of the article is better understanding of the Hours concerning the Immaculate Conception of the Most Holy Virgin Mary. Following motives from the books of Joshua and Judges were taken into consideration: The light from Gabaon (Joshua 10, 10–13), Gedeon’s fleece (Judges 6, 36–40), Samson’s honeycomb (Judges 14, 1–11). After the discussion of the above mentioned three texts we may ascertain that the author of Hours about the Immaculate Conception of the Most Holy Virgin Mary with accurate aim refers the texts to the Most Holy Virgin Mary. Mary is the light from Gabaon, which showed people that he, whose mother she is, will make a salvation, the real victory that had been expected since Adam and Eve’s times. Moreover, she is the fleece of Gedeon because God made her a wonderful exception as among people only she was not stained by a sin. Furthermore, she is Samson’s honeycomb as inside her the one who is our Savior and our best food was born.
7
Publication available in full text mode
Content available

Wybrane motywy biblijne z Ksiąg Jozuego i Sędziów w „Godzinkach o Niepokalanym Poczęciu Najświętszej Maryi Panny”

51%
Ziaja K.
Scriptura Sacra
|
2016
|
issue 20
21-30
EN
One of the para liturgical services that exist in the church life is “Hours about the Immaculate Conception of the Most Holy Virgin Mary”. Therefore, still actual problem is the question of biblical pictures understanding that appear in the service. The test of their explanation has not only a theoretical character but also a practical and a priestly one. The aim of the article is to cause better contents understanding of “Hours about the Immaculate Conception of the Most Holy Virgin Mary”, to emphasize their biblical variety. Following motives from the books of Joshua and Judges were taken into consideration:1. The light from Gabaon (Joshua 10,10-13)2. Gedeon’s fleece (Judges 6,36-40)3. Samson’s honey slice (Judges 14,1-11).After the discussion of the above mentioned three texts we may ascertain that the author of “Hours about the Immaculate Conception of the Most Holy Virgin Mary” with accurate aim refers the texts to the Most Holy Virgin Mary. Mary is “The light from Gabaon”, it showed people that he, whose mother she is, will make a salvation, the real victory that had been expected since Adam and Eve’s times.Moreover she is “The fleece of Gedeon” because God made her a wonderful exception as among people only she was not stained by a sin. Furthermore she is the slice of honey as inside her the one who is our Saviour and our best food was born.The analysis of these biblical texts let us to see the enormous theological variety of “Hours about the Immaculate Conception of the Most Holy Virgin Mary”. It makes possible to catch an interesting interpretation of Mary’s biblical pictures that seem to be very useful in a priest practice.
PL
Jednym z nabożeństw paraliturgicznych obecnym w życiu Kościoła są „Godzinki o Niepokalanym Poczęciu Najświętszej Maryi Panny”. W związku z tym wciąż aktualnym problemem pozostaje kwestia rozumienia zawartych w tym nabożeństwie obrazów biblijnych. Wydaje się, że są one nieczytelne dla współczesnego człowieka. Z tych też względów próba ich wyjaśnienia ma charakter nie tylko teoretyczny, ale i praktyczny – duszpasterski.Celem artykułu jest wyjaśnienie treści „Godzinek”, podkreślenie ich biblijnego bogactwa. W tym przedłożeniu ograniczono się do omówienia trzech motywów: (1) światło z Gabaon (Joz 10,10-13); (2) runo Gedeona (Sdz 6,36-40); (3) plaster miodu Samsona (Sdz 14,1-11). Po ich analizie można stwierdzić, że autor „Godzinek” trafnie odniósł te bogate w przesłanie teksty biblijne do Najświętszej Maryi Panny. Maryja jest „światłem z Gabaon”, które wskazywało ludziom, że Ten, którego Ona jest Matką, dokona zbawienia, prawdziwego zwycięstwa oczekiwanego od czasów Adama i Ewy. Maryja jest „runem Gedeona”, bo Bóg dokonał w Niej cudownego wyjątku –– spośród wszystkich ludzi tylko Ona nie została splamiona grzechem. Maryja jest „plastrem miodu”, gdyż z Niej narodził się Ten, który jest naszym najlepszym pokarmem, który jest naszym Zbawicielem.Analiza tekstów Joz 10,10-13; Sdz 6,36-40; Sdz 14,1-11 pozwoliła dostrzec wielkie bogactwo teologiczne „Godzinek”, a także dała możliwość ciekawej interpretacji mariologicznej opisanych w nich wydarzeń biblijnych. Ma to szczególne znaczenie w praktyce duszpasterskiej.
8
Publication available in full text mode
Content available

Motywy romantyczne na kanwie archetypów biblijnych w powieści hebrajskiej Tomasza Augusta Olizarowskiego. Część I. Harfa Samsona

51%
Jarosz A.
Język - Szkoła - Religia
|
2023
|
vol. 18
80-95
EN
The article pertains to a Hebrew novel by Tomasz August Olizarowski, which was written in two stages. The first part entitled Sophet’s. A Hebrew Novel. Song 1–2 was written between 1836 and 1845 and published in 1852; the second, entitled Samson. A Hebrew Poetic Novel, was first published in 1873. They constitute integral units and each can be treated separately. They are linked by the title character and his story. The figure of Samson, as created by Olizarowski, is a complex and original construct. It was shaped from biblical archetypes, which we have divided into two categories: poetic language and artefact (object). In this sketch, we have analysed the second of the indicated categories: the shaping of the character in connection with his main attribute (the harp), which is an important archetypal motif. The cedar, prophetic harp with golden and silver strings is part of the sacred and co-creates the story presented in the poetic novel. Based on this artefact, the poet introduces important Romantic motifs: song, the prophetic (and poetic) word and the concept of the Logos. The combination of the figure of Sophet with this archetypal instrument allows us to relate it to the figures of Orpheus and Christ, as well as to recognise in it the universal figure of the bard, the singer (Homer, Oisin, Bojan).
PL
Artykuł dotyczy powieści hebrajskiej Tomasza Augusta Olizarowskiego, która powstawała w dwu etapach. Pierwsza część pt. Softy. Powieść hebrajska. Pieśń 1–2 została napisana w latach 1836–1845, a wydana w 1852 r.; druga, zatytułowana Samson. Poemat hebrajski, ukazała się po raz pierwszy w 1873 r. Stanowią one integralne całostki i każdą z nich można traktować osobno. Łączy je tytułowy bohater i jego historia. Wykreowana przez Olizarowskiego postać Samsona jest konstruktem złożonym i oryginalnym. Została ukształtowana z archetypów biblijnych, które podzieliliśmy na dwie kategorie: języka poetyckiego i artefaktu (przedmiotu). W niniejszym szkicu poddaliśmy analizie drugą ze wskazanych kategorii: ukształtowanie postaci w powiązaniu z przynależnym jej głównym atrybutem (harfą), będącym ważnym, archetypicznym motywem. Cedrowa, prorocka harfa o złotych i srebrnych strunach przynależy do sfery sacrum i współkreuje prezentowaną w poemacie historię. Na podstawie tego artefaktu poeta wprowadza do utworu motywy ważne w romantyzmie: pieśń, słowo prorockie (i poetyckie) oraz koncepcję Logosu. Połączenie postaci Softego z tym archetypicznym instrumentem pozwala nam odnieść ją do postaci Orfeusza i Chrystusa, jak również rozpoznać w niej uniwersalną figurę wieszcza, pieśniarza (Homera, Oisina, Bojana).
9

Obrazy Holokaustu w filmach z okresu polskiej szkoły filmowej (1955-1965)

36%
Haltof M.
Kwartalnik Filmowy
|
2012
|
issue 77-78
112-146
EN
The author analyses the ways Holocaust was presented in Polish films that were made during the existence of the Polish Film School. Using the examples of films, the majority of which remains in the shadow of the great „canon” of the Polish school, Haltof attempts to place the image of Holocaust presented in them within the artistic, historical and political context. The author analyses films such as Andrzej Wajda’s Samson, and Generation, Ewa and Czeslaw Petelski’s Barker, Stanislaw Rozewicz’s Birth Certificate, Jerzy Zarzycki’s White Bear, and Andrzej Munk’s The Passenger, as well as two short films: Andrzej Brzozowski’s By the Railway Track, and Janusz Morgenstern’s Ambulance. By analyzing them, the author writes about how ways of connecting and disconnecting the Polish and Jewish fate, the tragedy of children that were victims of the Holocaust, about the attitudes of Poles towards Jews seeking help, and of the film attempts to find the psychological dimension of the relationship between the oppressed and the oppressors.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.