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The Local–Global Tendencies in Serbian Contemporary Architecture

100%
Milašinović Marić D., Marić I.
Architecture and Urban Planning
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2015
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vol. 10
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issue 1
27-32
EN
The article considers the architectural works designed and realized in contemporary Serbian architectural practice in the context of questions and thinking about local-global but also of visible tendencies and dilemmas, that the architects deal with in smaller local environments like in Serbia, from the position of architectural historians, theoreticians and critics. The multi-layered, often vague double meaning and nuanced ties and interpretations of the mentioned relationships will be traced in the works of such important Serbian architects as I. Antić, M. Jovanović, B. Petrović, D. and M. Marušić, S. Krunić, I. Marić, B. Mitrović, I. Rašković, who were chosen in order to trace the line of development of the relationship between the local and global during 1950 ‒ 2000, the period which was also marked by turbulent social and political changes.
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Stefan Uroš II Milutin – działalność fundacyjna serbskiego króla

44%
Piórecka A.
Vox Patrum
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2016
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vol. 66
459-476
EN
Biographer of Stefan Uroš II Milutin, Archbishop Danilo II, states in his book that about fifteen churches and monastery buildings, were erected under the aus­pices of the Serbian king. They were created in Serbia, Constantinople, Thessa­lonica, Athos, Jerusalem and Sinai. Similarly, as byzantine Emperor, the Serbian king not always founded new objects. Occasionally, as it was in the case of the church in Staro Nagoričino, he only resurrected run-down buildings. Probably, as the result of this activity there is such an architectural variety of his foundations. Since the moment of his marriage to the daughter of the Byzantine Emperor, An­dronikos II Palaiologos, Simonis in 1299, started the specific spread of byzantine domination in Serbia, also in architecture. Erecting buildings in byzantine style, the king employed master builders from the area of Empire. In the case of church­es in Prizren (Bogorodica Ljeviška) and in Staro Nagoričino, we can observe in­fluence of Epirus architecture.
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