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EN
The late prehistoric site of Qiryat Ata in the Zebulon Valley, Israel, is known from a major publication of several seasons of salvage excavations (Golani 2003) as primarily an Early Bronze Age site. This paper presents a reevaluation of data published in that report. It suggests a significantly expanded and altered archaeological profile of the site, especially of its chrono-cultural associations in the Early Bronze Age and a substantially different interpretation of the social organization of the communities represented there. In addition it considers the ancient climate and geomorphology of the site and offers new insights into late prehistoric lifestyles there.
EN
Although rather distant from the Western Indian Ocean basin, Southern Levant can be considered fairly included into trading dynamics regulating the movement and use of exotic goods, especially luxury raw materials, frequently representing the final destination for this kind of items.During the Late Bronze Age, Southern Levantine jewelry enumerates a wide eclectic group of differentiated artifacts, witnessing a remarkable level of artistic talent and technical expertise. The most part of the products is manufactured in gold and silver, using the decorative shares of precious and semiprecious stones originating from eastern Africa and the Indus Valley.The wealth of jewelry’s arts, and in particular the large use of stones, has given rise to a number of hypothesis that will be briefly discussed in the paper, analyzing raw materials’ origins, finished products’ archaeological contexts, and specialized production of personal ornaments, with particular attention to the actors and the ultimate goal of their production.
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EN
Although rather distant from the Western Indian Ocean basin, Southern Levant can be considered fairly included into trading dynamics regulating the movement and use of exotic goods, especially luxury raw materials, frequently representing the final destination for this kind of items. During the Late Bronze Age, Southern Levantine jewelry enumerates a wide eclectic group of differentiated artifacts, witnessing a remarkable level of artistic talent and technical expertise. The most part of the products is manufactured in gold and silver, using the decorative shares of precious and semiprecious stones originating from eastern Africa and the Indus Valley. The wealth of jewelry’s arts, and in particular the large use of stones, has given rise to a number of hypothesis that will be briefly discussed in the paper, analyzing raw materials’ origins, finished products’ archaeological contexts, and specialized production of personal ornaments, with particular attention to the actors and the ultimate goal of their production.
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