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Bratrství a Život: ostravská spiritistická scéna, její sociální zázemí a (nad)regionální kontakty (1918–1951)

100%
Jemelka M.
Studia theologica
|
2018
|
vol. 1
175-202
EN
Religious practice in the Czechoslovak Republic was characterised by increasing heterogeneity, reflecting the national, social, political, confessional and world­‑view orientation of the Czechoslovak people. In the decade which followed 1918, the issues of religion and confession were frequently raised in public discourse. The topics discussed also included the flourishing Czech sectarian scene, including spiritism and the spiritist movement, an affinity to which was shown by thousands of organised followers, sympathisers or people who were simply curious. This paper deals with the spiritist movement during its inter­‑war heyday in the industrial working­‑class environment in Ostrava and its conurbation, focusing on the social background of its worshipers and the ideological struggle between the followers of the agnostic and Christian branch of spiritism. The main part of this paper presents the two most important spiritist fellowships in Ostrava and compares their ideological direction, gender structure, regional scope and social impact.
2

„Hiszpanka”, czyli alternatywna historia powstania wielkopolskiego

67%
Krzysztof L.
Kwartalnik Filmowy
|
2018
|
issue 103 Młode kino polskie - konfrontacja pokoleń
42-53
PL
W artykule poświęconym filmowi Łukasza Barczyka Loska zwraca uwagę na wykorzystanie przez reżysera strategii postmodernistycznych oraz sięgnięcie przez niego do konwencji historii alternatywnej. Rozpoczynając od nakreślenia kontekstów związanych z powstaniem wielkopolskim, autor przechodzi do spirytyzmu i mediumizmu jako zjawisk w sposób szczególny odciskających swoje piętno na fabule filmowej, ponieważ alternatywna historia powstania została pokazana przez pryzmat walki telepatów. Odrodzenie tradycji ezoterycznych Loska uznaje – za Wolfgangiem Welschem – za jeden z wyróżników postmodernizmu (ze względu na zwrot ku alternatywnym formom poznania). Autor stara się wykazać, że w „Hiszpance” kluczową rolę odgrywa proces fabularyzacji faktów, czyli wykorzystania materiałów historycznych do zbudowania wyobrażeniowej fikcji.
EN
In the article devoted to Łukasz Barczyk’s film, Loska draws attention to the post-modernist strategies used by the director and his use of the convention of alternative history. Beginning with delineating contexts related to the Greater Poland Uprising, the author moves on to spiritism and mediumism as phenomena in a special way imprinting on the film plot, because the alternative history of the uprising was shown through the prism of a war of telepaths. Loska, following Wolfgang Welsch, considers the revival of the esoteric traditions as one of the features of post-modernism (due to the turn towards alternative forms of cognition). The author tries to show that the process of fictionalization of facts, that is the use of historical materials to build imaginary fiction, plays a key role in “Influenza”.
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