Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 10

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Stanisław Trembecki
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Trembecki pod imieniem Bielawskiego ukryty

100%
Kaliszewski W.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2011
|
issue 17
19-29
EN
Trembecki was not only a participant, but an animator of specific literary, social and sociable game, the essence of which consisted of mystification. The game uses the figure of mediocre poet, Józef Bielawski, posting under his name works with most varied content. The paper presents a poetic dimension to this fun, which the results were included in the Trembecki ’s text editions under the name Bielawski.
2
Content available remote

Virtutis invidia comes, czyli o Rotundzie w Łazienkach Królewskich

94%
Skrodzka A.
Biuletyn Historii Sztuki
|
2009
|
vol. 71
|
issue 1-2
87-112
EN
This article presents a letter previously unknown to researchers of the Łazienki Palace by Stanisław Trembecki, the court poet, to Stanislaus Augustus, on the basis of which a reinterpretation of the Rotunda’s ideological programme has proven possible. It so turns out that a significant role in this programme must have been played by the non-extant image of the Medusa that, personifying Jealousy, would have exerted negative influences on all rules gathered in the Rotunda. One of these sovereigns, most obviously, was Stanislaus Augustus himself, personifed as Courage. The four Polish monarchs and Roman emperors were supposed to be the rules with whom the last king of Poland compared himself, each of them evoking a specific virtue. As such, the programme expressed in the Rotunda presents the exceptionaly popular motif in the art of the later half of the 18th century of exemplum virtutis.
3

„Śliczna w postaci, żywa jak łania”. Kwestia autorstwa wiersza znanego pod tytułem „Wiersz na pochwałę J.W. Kossowskiej podskarbiny nadwornej koronnej, z okoliczności jej tańca na warszawskiej reducie”

84%
Kaliszewski W.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2021
|
vol. 27: IZOLACJA I KOMUNIKACJA – ROZWAŻANIA NAD FORMAMI KOMUNIKACJI LITERACKIEJ I KULTUROWEJ
181-189
EN
The article presents doubts relating to the authorship of the text known under the title of Wiersz na pochwałę J.W. Kossowskiej podskarbiny nadwornej koronnej z okoliczności jej tańca na warszawskiej reducie, which has been historically attributed by editors to Stanisław Trembecki. The article introduces a hypothesis suggesting that the poem in question could have perhaps been penned by Józef Szymanowski. This could be evidenced by aspects of stylistics, as well as by the similarity in poetic themes, present both in the poem addressed to the Treasurer’s wife, and in a different piece (most likely written by Szymanowski), Do Kory przysięgającej na zakonność. The article is discussive in character and constitutes an encouragement to further examinations of attribution.
4

Oko Stanisława Trembeckiego. Szkic

71%
Kaliszewski W.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2014
|
issue 20
41-48
EN
The article discusses the problem of visual perception in the framework of poetic view of the world. The issue of perception and cognition of reality has been outlined in the perspective of selected philosophical analysis of the Enlightenment (Diderot, Condillac). Literary material, illustrating these considerations, is represented by fragments from Stanisław Trembecki’s work.
5

Trembecki czy Wybicki? Raz jeszcze o autorstwie wiersza "Do Kajetana Węgierskiego"

67%
Grzegorz Zając G.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2017
|
vol. 23: List jako szczególny gatunek literacki
315-334
EN
The article undertakes the issue of the authorship of the poem Do Kajetana Węgierskiego, which is one of the evidence of a so-called “war about Węgierski” that took place on our native writing field in the second half of the 70s of the 18th century because of pamphlets written by this poet which ridiculed the members of the elite of that time. The problems with text attribution from that period is nothing unusual; yet, in this case it is surprising that the poem was assigned to Stanisław Trembecki or Józef Wybicki, that is, the authors whose position in the literary hierarchy of the Enlightenment poetry is completely opposite, and – what is more important – their poetic styles and ways of perceiving the world were rarely alike. Why did it happen? What could be in favour (and what was in favour in the researcher’s opinions) for any of these writers? Finally, which hypothesis matches the real life? These are the questions that this article attempts to answer.
6
Publication available in full text mode
Content available

MICKIEWICZ I TREMBECKI – JESZCZE RAZ (JUŻ SIĘ Z POGODNYCH NIEBIOS…)

60%
Chachulski T.
Colloquia Litteraria
|
2016
|
vol. 20
|
issue 1
45-53
PL
This short sketch focuses on the excerpt from Adam Mickiewicz’s early poem „Już się z pogodnych niebios…” (1818), where the young poet specifies the rules of receiving new members into the Philomath Society (Towarzystwo Filomatów). Mickiewicz drew the basic motif of that part of the poem from the last section of Stanisław Trembecki’s Classicist descriptive poem Sofijówka (verses 425nn). What in an Enlightenment poem characterised by clearly libertine and pro-Russian tendencies served the representative of the Stanislavian times to build an individual microethics programme which was concerend exclusively with one’s closest circle and their attitude towards themselves, in a programmatic poem by a young Romantic became a set of rules to select righteous and trustworthy poeple who would not take fright in front of adversities and would resist a variety of pressures. Trembecki’s poem, however, also contained yearning for a forseeable future and nostalgia for what had been lost.
7
Publication available in full text mode
Content available

OD PÓŹNEGO WORONICZA DO WCZESNEGO WITTGENSTEINA. KARIERA PIEŚNI O WIKLEFIE I WIKLEFA W XIX-WIECZNEJ POLSCE

60%
Zieliński J.
Colloquia Litteraria
|
2016
|
vol. 20
|
issue 1
29-43
PL
The article is interested in following the history of the reception of the exceptional example of fifteenth-century poetry in Polish Pieśń o Wiklefie by Jędrzej Gałka of Dobczyn in the period between the discovery of the text in 1815 and the beginning of the First World War. The author discusses the reception of Pieśń o Wiklefie in later works of the Enlightenment poets as well as in texts by Mickiewicz and Norwid (the latter was friends with the poet Antoni Czajkowski, whose father first published Pieśń o Wiklefie). The article concludes with a discussion of the intellectual contacts between the logician Michał Dziewicki – one of the publishers of Wycliffe’s works – and Wittgenstein, who served in the military in Cracow.
8
Publication available in full text mode
Content available

Tradycja oświecenia stanisławowskiego na łamach „Dziennika Wileńskiego” z lat 1815–1830

59%
Kowal J.
Prace Polonistyczne
|
2016
|
vol. LXXI
101-119
EN
From the beginning, literature occupied an important place in “Vilnius Daily” (so-called scholar magazine’s pages). The editors of the journal (including Jan and Jędrzej Śniadecki, Euzebiusz Słowacki, Filip Nereusz Golański, Leon Borowski, Ernest Groddeck, Kazimierz Kontrym) who were recruited from the circle of the University of Vilnius are alumni in “the age of lights”. Being heirs to the enlightenment ideals of aesthetics, they appreciated the literary output of their immediate predecessors. These preferences are clearly visible in the literary content of “Vilnius Daily”’, obviously adhering to classical and sentimental tastes. Without a doubt Stanisław Trembecki enjoyed the highest popularity among the Stanislawow creators in those pages. We also encounter there the works of Elżbieta Drużbacka, Ignacy Krasicki, Franciszek Karpiński and Ludwik Kropiński. The Vilnius magazine, appreciating their creative achievements, showed thereby the continuation of eighteen-century literary tradition.
9
Publication available in full text mode
Content available

Rozbiory i objaśnienia. Polskie mikropoetyki późnego klasycyzmu

52%
Markowska H.
Forum Poetyki
|
2017
|
issue 8-9
160-173
EN
The article presents selected practices of analysis of literary texts adopted in Polish literary scholarship in the first decades of the nineteenth century, particularly those connected with academic work. The variety and simultaneously common features among the various examples of classicist “close reading” are shown through a semantic analysis of the word “rozbiór” which was applied to such readings in the period. The pioneering adaptation of the methods of classical philology to work on a modern text, carried out by critics affiliated with the University of Wilno (now Vilnius), Borowski, Mickiewicz, and Klimaszewski, represents a particular object of interest.
PL
Artykuł przedstawia wybrane praktyki analizy tekstów literackich podejmowane w polskiej nauce o literaturze pierwszych dziesięcioleci XIX wieku, zwłaszcza te związane z działalnością akademicką. Różnorodność, a jednocześnie cechy wspólne różnych przypadków klasycystycznego „uważnego czytania” zostają ukazane dzięki analizie semantycznej słowa „rozbiór”, którym były one określane w epoce. Szczególny przedmiot uwagi stanowi pionierskie zastosowanie metod filologii klasycznej do opracowania tekstu nowożytnego przeprowadzone przez krytyków związanych z Uniwersytetem Wileńskim: Borowskiego, Mickiewicza i Klimaszewskiego.
10
Publication available in full text mode
Content available

Ślady literackiego portretu i interpersonalnych relacji Wojciecha Miera zapisane w poezji dedykowanej zapomnianemu literatowi doby stanisławowskiej

48%
Kadzidło K.
Ogrody Nauk i Sztuk
|
2014
|
issue 4
320-327
PL
Celem artykułu jest ukazanie portretu Wojciecha Miera wyłaniającego się z poezji jemu dedykowanych, b ądź zawierających wzmianki o nim. Analizie zostały poddane wiersze Stanisława Kostki Potockiego, Ignacego Potockiego, Wincentego Dunina, Stanisława Trembeckiego oraz poezja anonimowa doby Oświecenia. Zaakcentowane zostały poglądy poetów na umiejętności literackie starościca buskiego, jego talent oraz wybory estetyczne, jakich dokonywał w swoich poezjach. Poruszony został również obraz filozoficznych przekonań W. Miera, jaki został utrwalony w omówionych utworach, ze szczególnym uwzględnieniem rysu libertyńsko-epikurejskiego jego światopoglądu.
EN
Article’s aim is to present Wojciech Mier’s profi le emerging from poetry dedicated to or mentioning him. Analysed were poems of Stanisław Kostka Potocki, Ignacy Potocki, Wincent Dunin, Stanisław Trembecki and anonymous poetry of Enlightment. Stressed were poets’ views on literary skills of Busko’s starosta’s son, his talent, aesthetic choices made in his poetry. Mentioned were also Mier’s philosophical beliefs perpetuated in elaborated works with particular consideration of libertine-epicureic feature of his world-view.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.