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  1. 2 Kwartalnik Młodych Muzykologów UJ

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  1. 2 Godek A. E.

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  1. 2 2017

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1

Requiem na jeden głos… f-moll ks. Hieronima Feichta w świetle jego twórczości mszalnej oraz repertuaru Chóru Stradomskiego

100%
Godek A. E.
Kwartalnik Młodych Muzykologów UJ
|
2017
|
issue 2(33)
25-42
EN
The article focuses on the background of Hieronim Feicht’s Requiem, which was written during World War II. The main aspect of it is to present main thoughts on mass settings composed by Feicht and to give basic information about their performances given by the choir of theological seminary students of the Congregation of the Mission in Krakow-Stradom. Many of extant documents provide us with precise knowledge about the repertoire and solemnities during which it was sung. Except for performances, the article presents the praxis of performing requiem masses in the first half of the 20th century. Taking this context into consideration, the author presents a brief analysis of the Feicht’s Requiem Mass setting.
2

Requiem Mass by Hieronim Feicht in the Context of His Mass Compositions and the Repertoire of the Stradomski Choir

100%
Godek A. E.
Kwartalnik Młodych Muzykologów UJ
|
2017
|
issue 2(33) Eng
24-42
EN
The article focuses on the context of Hieronim Feicht’s Requiem, which was written during World War II. The main aspect of it is to present main thoughts on mass settings composed by Feicht and to give basic information about their performances given by the choir of theological seminary students of the Congregation of the Mission in Kraków‑Stradom. Many of extant documents provide us with precise knowledge about the repertoire and solemnities during which it was sung. Except for performances, the article presents the praxis of performing requiem masses in the first half of the 20 th century. Taking this context into consideration, the author presents a brief analysis of the Feicht’s requiem mass setting.
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