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1

ON A POSSIBLE TEXT STYLISTICS

100%
Szabo Z.
Magyar Nyelvor (Hungarian Language Guardian)
|
2005
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vol. 129
|
issue 4
437-451
EN
The aim of this paper is to present a new (variant of) stylistics. It is the result of an interdisciplinary cooperation between text linguistics and stylistics that are totally and completely interwoven here. It has to be emphasised that it is not in terms of its subject-matter that text stylistics primarily differs from other stylistic disciplines but rather in terms of two traits that can therefore be considered to be distinctive features of the discipline: 1. A text linguistic orientation or even textology-dependence which shows text linguistics to be the primary source for creating several constituents of text stylistics and for its development on the whole. For instance, style types are derived from text types and domains (branches) of text stylistics are delimited and characterized according to the text levels at issue. 2. Its methodology is constituted of text-centred principles, consequently, research in it is determined by a supertext quality, respectively by the text in its entirety. All of the issues belonging here are discussed in the following sections of the paper, referring to text stylistics: 1. Subject-matter and domains (branches); 2. Principles of research; 3. The underlying theory (text semiotics); 4. Interdisciplinary relations; 5. Antecedents, variants in its evolution; 6. Text stylistics in the light of the principles of a general theory of science (where the main question is as follows: Can it be conceived of as a separate discipline, a new stylistics?). In sum: the paper illustrates some of the possibilities by providing textological and stylistic evidence for a new stylistic discipline: text stylistics.
2

DIALOGUE AS CONVERSATION BETWEEN TEXTS

88%
Boronkai D.
Magyar Nyelvor (Hungarian Language Guardian)
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2006
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vol. 130
|
issue 1
73-83
EN
This paper applies the methods of text linguistics to analyse the linguistic, cognitive, and affective features of dialogue as an intertextual text type. According to current research, intertextuality is not only a basic component of post-modern literature but also an organising principle in dramatic conversations. This disquisition takes the most important elements of intertextuality into consideration and illustrates them by dialogues from contemporary Hungarian drama. The most frequent of those elements are (1) figures based on detraction: contextual or situational ellipsis and aposiopesis; (2) topic change or topic shift; and (3) direct vs. indirect speech and narrative. These factors, together with explicit and implicit references, create the intertextual cohesion of dialogue as conversation between different texts or text types
3
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„Vícehlasí“ v českých lidových písních: několik textovělingvistických sond do jejich textury

51%
Daneš F.
Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
|
2012
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vol. 73
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issue 4
312-324
EN
This paper demonstrates the mutual relations between the various “voices” in Czech folk songs and the way in which these voices can be identified. The introductory section characterizes the specific features of the songs: the concision and condensation of their structure, as well as their emotionality of expression. The second section is devoted to the analysis of a selected corpus of folk songs from the perspective of heteroglossia. Their texture appears as a net of relations and functions which operate on different levels, stand in mutual complementarity, partly overlapping, and show differing relevance. Using methods of text linguistics, the author concentrates on two relations and functions – speech acts and compositional functions – as well as personal attitudes. The analysis focuses on utterances with the communicative function of appeal, i.e. on the interrogative and addressing turns which are quite frequent in Czech folk songs, on their interactive structure and modes of direct and indirect speech. The author shows that the song genre has two faces: it is a compact combination of verbal text and its musical part (the tune) which may appear to be uneven in their mutual relations. The last section deals with the phenomenon of intertextuality in the song structure.
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