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Badania proweniencyjne starych drukow w Bibliotece UMK w Toruniu

100%
Strutyńska M.
Folia Toruniensia
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2011
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vol. 11
53-60
EN
The article presents the history of provenance research of old prints stored in the Library of NCU. The collections mentioned here were discussed in terms of their provenance, and literature concerning the subject was given. The reasons why there is no systematic ownership research of the whole collection were given (mainly the shortage of workers specializing in this kind of research). The article lists the main circle of readers interested in old prints from the Library of NCU, proving the necessity of continuing provenance research. Attention was paid to the new technology of working with old prints taking into account their individual features such as provenance, marginalia, covers. The article mentions a problem of creating the provenance bases on the local, national and international level in computer systems.
2
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Marketing w mediach społecznych na przykładzie strony społecznościowej Biblioteki Uniwersyteckiej w Toruniu w serwisie Facebook

100%
Piotrowski D. M.
Folia Toruniensia
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2011
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vol. 11
135-144
EN
The article discusses the issue of using the potential of the social media in carrying out electronic library services. It shows the strategies of optimization of social media and the methods of social marketing on the example of the fanpage of the University Library in Torun in the service Facebook. Marketing in social media is a new field and undoubtedly it is necessary to verify the condition of research and to familiarize Polish librarians with the systematized collection of data on this subject. Thus, the article is supposed to be a guide for librarians, who need ideas to use the social service Facebook in their work. The article includes answers to many questions such as how to collect a group of loyal fans, how to organize competitions and events, how to avail the Online Public Access Catalogue of the library, how to make the social webpage look professional, and how to use the advanced functions and possibilities of Facebook.
3
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Afisze teatralne w zbiorach Książnicy Kopernikańskiej i zasobie Archiwum Państwowego w Toruniu. Charakterystyka zawartości

100%
Jabłońska M., Koralewska W.
Folia Toruniensia
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2011
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vol. 11
83-98
EN
Theatre posters constitute part of the theatre's activity. Originally they play a purely functional role informing about a cultural event, which will take place on a given day and at a given time, in a given venue. With time, however, they become witnesses of the past, showing the history of their creator, his or her profile of activity, and changes taking place in the structure of the creator's performance. Theatre posters date back to antiquity. They were created by Egyptians, Romans and Greeks. The oldest early modern poster appeared in London in 1429, and it is now kept in the London theatre museum. The history of Polish posters dates back to the 16th or the 17th centuries (researchers cannot agree on the exact century) and is linked with either the Jesuit College or the royal theatre. Torun's posters analyzed in the text come from the years 1922-1975 and are stored in the collection of Copernicus Library and the State Archive in Torun. They were created by the theatre in Torun. Today it is Wilam Horzyca Theatre, and its name, the scope of activity, the organizational structure, the profile and character of its activity have changed over the years many times. The posters were discussed chronologically and divided into groups. The authors paid special attention to the content, its structure and the manner it was presented, the format of the posters, their colours, ornaments and iconography. Each group was discussed in detail and illustrated. The theatre in Torun is not the only creator of theatre posters in the town. A similar analysis can be conducted in relation to the puppet theatre company Baj Pomorski, which is the issue to be discussed in another article.
4
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Romantycy w Bibliotece Wydziału Filologicznego UMK

63%
Śliwińska M. M.
Folia Toruniensia
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2011
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vol. 11
61-71
EN
The article presents the 19th century editions of works of Romantic writers, stored now in the Library of the Faculty of Languages in NCU, which was created when the Chair of Polish philology was established. The author discussed the following editions: of Adam Mickiewicz (Zywila. Légende Lithuanienne par Adam Mickiewicz, Paris 1866; Poezye Adama Mickiewicza, vol. 2, Petersburg 1829; Adama Mickiewicza Dziadow czesc trzecia Paris 1833; Poezye Adama Mickiewicza, vol. 1, 3, 5-8, Paris 1838), of Wincenty Pol (Kilka kart z krwawego rocznika, Leipzig 1864; Poezye Wincentego Pola, vol. I-V (Dziela Wincentego Pola wierszem i proza, series: I, vol. I, III, V, VII, IX), Lviv 1875-1878), of Zygmunt Krasinski (Niedokonczony poemat, Paris 1862; Listy Zygmunta Krasinskiego do Konstantego Gaszynskiego, Lviv 1882; Listy Zygmunta Krasinskiego do Adama Soltana, Lviv 1883), of Teofil Lenartowicz (Aniol ziemi. Srebrny spiew by T. L., in Lviv 1870; Album wloskie by Teofil Lenartowicz, in Lviv 1870), of Konstanty Gaszczynski (Pisma prozatorskie by Konstanty Gaszynskiy, Leipzig 1875). The article also discusses the rules according to which books gathered wide readership, such as the censorship, the wealth of readers, difficult conditions of the development of literary life, the division into emigration culture and home culture, liberation ideas included in the text.
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