Results found: 1

Search results

Search:
in the keywords: THEORY OF OPERA

Sort By:

Limit search:

REFLECTION ON THE THEORY OF OPERA AND THE COLLECTED ARTWORK BY THE REPRESENTATIVES OF FORM AESTHETICS OF THE 19TH CENTURY (Reflexia teorie opery a suborneho umeleckeho diela u predstavitelov formovej estetiky 19. storocia)

100%

Blahynka M.

Slovenské divadlo (Slovak Theatre)

2009

vol. 57

issue 4

300-305

The study analyzes the view on the opera, musical drama and problem of art fusion issues given by the aestheticians Eduard Hanslick, Otakar Hostinsky and Josef Durdik. The view on Richard Wagner's incentives on the theory of opera, musical drama and collected artwork shows that it is not always the material of art works which is crucial, but also the way they are composed and presented. This position on the aesthetics and art theory was attained by structuralism and based, among other things, on the criticism of the form aesthetics.

Refine search results

1 Slovenské divadlo (Slovak Theatre)

1 Blahynka M.

1 2009

Search results

REFLECTION ON THE THEORY OF OPERA AND THE COLLECTED ARTWORK BY THE REPRESENTATIVES OF FORM AESTHETICS OF THE 19TH CENTURY (Reflexia teorie opery a suborneho umeleckeho diela u predstavitelov formovej estetiky 19. storocia)