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EN
The article focuses on the methods of literary engagement with the crisis in Article 353 du code pénal, the most realistic novel by Tanguy Viel. Drawing on selected theories of the crisis, it analyses the way in which the author speaks of the human drama engendered by the economic recession and the pathological phenomena linked to it. It also highlights the didactic dimension of the text, which consists in denouncing of the strategies of financial scams, based on a perfect knowledge of the psychological mechanisms that are activated in an individual in critical situations. The aim of the article is to demonstrate that in Article 353 du code pénal Viel seeks to shed light on the fact that the existential crisis triggered by loss or abuse of trust suffered in life and the feeling of powerlessness in the face of destiny is an even more difficult ordeal, overwhelming and devastating if it strikes a vulnerable individual who lacks the psychological strength to recover.
FR
L’article porte sur les modalités d’investissement littéraire de la crise dans Article 353 du code pénal, le plus réaliste des romans de Tanguy Viel. En nous appuyant sur des théories de la crise, nous étudions la manière dont l’auteur parle du drame humain engendré par la récession économique et des phénomènes pathologiques qui y sont liés. Nous faisons aussi ressortir la dimension didactique du texte qui consiste à dénoncer les arnaques financières, appuyées sur une parfaite connaissance des mécanismes psychiques qui s’activent chez l’individu dans des situations critiques. Notre but est de démontrer que, par Article 353 du code pénal, Viel cherche à éclairer sur le fait que la crise existentielle déclenchée par des pertes ou des abus de confiance subis dans la vie et le sentiment d’impuissance face au destin est une épreuve encore plus accablante et dévastatrice si elle atteint un individu vulnérable qui manque de force psychique pour s’en relever.
EN
Friendship is one of the key motifs in Viel’s work. Its importance is highlighted especially in his early novels. In his exploration of this eternal problem of a relationship with another person, Viel departs from typically realistic novelistic conventions and combines subversive rewriting of genres, typical of contemporary fiction, with unreliable narration, manifested in a peculiar multivocality. The aim of this article is to analyse this textual duality and the manner in which it contributes to the creation of a touching story about human friendships.
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