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Nowadays, the drama of the incommunicability of the experience of God is perhaps one of the greatest problems that theology must face if it wants to establish a sincere dialogue with contemporary thought. A visit to contemporary theological art, and concretely to music, is an exercise that should be taken into consideration when one wishes to offer a word about God to our world and to men and women of these days. Through this article author wants underline that the relationship between theology and music could reveal itself as a way to discover the mysterious-symbolic presence of God which reveals itself.
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